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Kansas - Carry On Wayward Son Pt.5 - Outro Solos - Guitar Lesson

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Kansas - Carry On Wayward Son Pt.5 - Outro Solos - Guitar Lesson

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Kansas - Carry On Wayward Son Pt.5 - Outro Solos guitar lesson video
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Kansas Progressive Rock G minor
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Carry On Wayward Son Pt.5 - Outro Solos

"Carry On Wayward Son" by Kansas is a classic rock staple from the mid-1970s, built on driving riff work and elaborate lead guitar passages. The outro section features layered, harmonized solos that showcase the band's progressive rock approach. For electric guitarists, these closing solo segments offer a demanding workout in melodic phrasing, picking precision, and the interplay between multiple guitar voices.

  • The outro solos feature harmonized guitar lines, a technique central to Kansas's progressive rock sound and a great study in dual-lead playing.
  • Learning this section challenges both alternate picking speed and melodic control, making it a valuable exercise for intermediate to advanced players.
  • Kansas blended hard rock power with progressive complexity, and the solo passages in this track reflect that distinctive compositional style.
Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Kerry Livgren's primary weapon for Kansas's classic era, the Les Paul Standard delivered thick humbucker warmth and sustain essential for both the crushing riffs of 'Carry On Wayward Son' and intricate lead passages. Its moderate-output PAF pickups maintained clarity and dynamics even when pushed through cranked Marshalls, letting every picked note cut through live.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

Rich Williams relied on the Les Paul Custom's dual-humbucker platform to anchor Kansas's dual-guitar attack with warm, articulate tone that complemented Livgren's lead work. The Custom's versatility and noise-rejecting humbuckers made it ideal for both driving rhythm parts and soaring melodic solos in the band's complex arrangements.

MXR Phase 90
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MXR Phase 90

Livgren deployed the MXR Phase 90 sparingly for textural color on rhythm guitar passages, adding subtle swirling movement to Kansas's layered arrangements without cluttering the core Marshall-driven tone. This minimal-effects philosophy kept the focus on the guitarist's technique and the natural breakup of tube amplification.

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