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Joan Jett - I Hate Myself for Loving You - Guitar Lesson

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Joan Jett - I Hate Myself for Loving You - Guitar Lesson

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Joan Jett - I Hate Myself for Loving You guitar lesson video
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Joan Jett Hard Rock E major
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I Hate Myself for Loving You

"I Hate Myself For Loving You" is a hard rock track by Joan Jett & the Blackhearts, the Los Angeles-based band formed in 1979 around guitarist and songwriter Joan Jett. The song showcases Jett's signature driving rhythm guitar style, built on straightforward power chords and a raw, punchy tone that makes it an excellent study in no-frills rock guitar. Its stripped-back approach is ideal for electric guitarists looking to develop tight rhythm playing and a confident, aggressive attack.

  • The song's rhythm guitar part relies heavily on power chords, making it accessible yet effective for guitarists at an intermediate level.
  • Joan Jett co-founded the Blackhearts in 1979 after her time with The Runaways, bringing a distinctly raw rock guitar sensibility to the band.
  • Producer Kenny Laguna has been a consistent collaborator with Jett since the band's formation, helping shape the Blackhearts' guitar-driven sound.
Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Joan Jett's early weapon of choice, the Les Paul Standard's PAF-style humbuckers delivered the warm, complex bridge tone that defined her raw rock sound. Its weight and sustain let her aggressive picking attack cut through with natural breakup, establishing her signature no-frills approach to tone.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

While less central to Jett's core sound than the Standard, the Custom's thicker body and premium construction offered similar humbucker warmth when she needed it. Her emphasis on simplicity meant pickup choice mattered less than amp settings and picking dynamics in her tone arsenal.

Marshall JCM800
Amp

Marshall JCM800

Joan Jett's live secret weapon, the JCM800 pushed hard delivers the thick, compressed midrange crunch that cuts through a loud rock band. This head's natural saturation at volume perfectly captures her philosophy: let the amp and player's hands do the work, skip the effects pedals.

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