Practice Studio

Van Halen - Jamie's Cryin' - Guitar Lesson

Sections · Loop · Speed · Metronome

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Speed
100%

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BPM
Key A major
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Van Halen Hard Rock A major
Capo Advisor 0 A major · Original key

About Jamie's Cryin'


At 120 BPM in A major with the whole guitar tuned down a half step to Eb Standard, "Jamie's Cryin'" sits in a sweet spot where the rhythm work feels deceptively simple until you try to lock in Eddie's phrasing. The chord riff that drives the song is built on tight, palm-muted power chords with quick hammer-ons, and keeping that right-hand control clean at tempo is the real challenge. What catches most players off guard is how Eddie weaves brief lead fills between rhythm phrases, so you need to switch roles fluidly rather than staying in one mode. The solo is a burst of fast pentatonic runs and whammy-bar flutters that reward anyone willing to slow it down: use the Practice Toolbar to loop each phrase at a reduced speed until the pick-hand accuracy is there before bringing it back up. Van Halen built this track around a groove that sounds effortless, which is exactly why the subtle syncopation in the rhythm part deserves careful attention. If Hard Rock rhythm playing is what you want to sharpen, this song is a solid place to put in the reps.

  • The guitar is tuned to Eb Standard, a half step down, so retuning before you play is essential to match the recording.
  • The driving rhythm riff combines palm-muted power chords with quick hammer-ons, making right-hand consistency the main technical hurdle.
  • The solo features rapid pentatonic bursts and whammy-bar flutters that are much easier to learn phrase by phrase using looping it slowed down.

How to Play Jamie's Cryin'

Tuning: Eb Standard · Key: A major · Tempo: 120 BPM

It is played in Eb standard, a half step down, so tune down before you start or every position and bend will sit a half step sharp against the recording.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Gibson ES-335
Guitar

Gibson ES-335

Eddie Van Halen pulled a Gibson PAF humbucker from a ES-335 to load his original Frankenstrat, giving him a low-output pickup that maintained clarity during lightning-fast tapping and legato runs despite heavy gain.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

Eddie's 1968 Marshall Plexi Super Lead, run through a variac at 90 volts, created his legendary 'brown sound' by pushing power tubes into sweet, spongy saturation at gig volumes, defining his harmonic sustain and responsiveness.

Soldano SLO-100
Amp

Soldano SLO-100

Eddie adopted the Soldano SLO-100 as a tonal alternative to Marshalls, delivering the high-headroom, articulate gain he needed for his finger-tapping technique while maintaining clarity in complex legato passages.

Peavey 5150
Amp

Peavey 5150

Eddie co-designed the Peavey 5150 to capture his signature tone in a modern platform, offering three channels from clean sparkle to crushing high-gain with EL34 power tubes for dynamic responsiveness across his entire playing vocabulary.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Eddie employed the Dunlop Cry Baby wah strategically on select solos, using it to add vocal-like expression and sweep to his lead lines without relying heavily on effect-driven tones.

MXR Phase 90
Pedal

MXR Phase 90

Eddie's MXR Phase 90 script-logo version created his signature swirling, vocal sweep on 'Eruption' and 'Ain't Talkin' 'Bout Love,' becoming one of rock's most identifiable effect tones through minimal, tasteful use.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)