Pink Floyd - In The Flesh? - Guitar Lesson

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Pink Floyd - In The Flesh? - Guitar Lesson

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The Wall album cover
The Wall
1979 3:19
Capo Advisor 0 E minor · Original key

In The Flesh?


"In the Flesh?" is the opening track of Pink Floyd's eleventh studio album, The Wall (1979), where it serves as the narrative entry point for the album's concept story. The song establishes a dramatic, cinematic tone with its orchestral buildup and hard-hitting guitar riff, making it a rewarding piece for electric guitarists interested in progressive rock arrangement and atmosphere. Its reprise, "In the Flesh," later revisits the same material with extended instrumentation, offering guitarists a useful study in how a theme can be developed across an album.

  • The song runs approximately 3 minutes 19 seconds, packing a full orchestral intro and driving guitar riff into a concise structure.
  • "In the Flesh?" opens The Wall, while its reprise appears as track 21, studying both reveals how Pink Floyd develops a single riff dramatically.
  • The reprise, "In the Flesh," features a choir and more extended instrumentation, offering guitarists a contrast in arrangement and dynamics.
Fender Stratocaster
Guitar

Fender Stratocaster

Gilmour's 1969 Black Strat is his primary instrument, offering glassy neck pickup tones perfect for his singing bends and the warm, rounded character that defines Pink Floyd's melodic solos without harsh brightness.

Fender Telecaster
Guitar

Fender Telecaster

This workhorse guitar provided Gilmour with a brighter, more cutting tone for rhythm work and alternative textures, offering the snap and clarity needed for Pink Floyd's diverse sonic palette across studio and live performances.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Gilmour's 1955 Les Paul Goldtop, fitted with original P-90 pickups, delivers the thick, gritty midrange essential for iconic solos like Comfortably Numb's outro, providing tonal weight and sustain that Strats cannot match.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

Though less documented than the Goldtop, this model would offer similar thick, sustained tones with enhanced versatility through multiple pickup switching, supporting Gilmour's need for varied textures within complex Pink Floyd arrangements.

Fender Twin Reverb
Amp

Fender Twin Reverb

Gilmour used Twin Reverbs for their exceptional clean headroom and built-in reverb, creating spacious, shimmering textures that complement his delay-heavy effects chain and define Pink Floyd's atmospheric, three-dimensional soundscapes.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

The Cry Baby opens Gilmour's effects chain, allowing expressive vocal-like phrasing on solos, integral to Pink Floyd's emotional delivery and creating dynamic dynamic tonal sweeps that enhance the band's psychedelic and progressive character.

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