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Kiss - I Was Made For Lovin' You - Guitar Lesson

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Key A major
Kiss - I Was Made For Lovin' You guitar lesson video
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.
Dynasty album cover
Dynasty
1979 4:31
Listen on Spotify
Kiss Hard Rock 1979 A major
Capo Advisor 0 A major · Original key

About I Was Made For Lovin' You

At 120 BPM in A major and E Standard tuning, this track sits at a tempo that feels deceptively comfortable until you try to lock the rhythm parts in cleanly. Kiss leaned hard into a disco-inflected Hard Rock groove here, and the rhythm guitar work reflects that: tight, percussive sixteenth-note chops that demand a relaxed picking hand and a steady internal pulse. The signature riff is not technically complex, but keeping it even and groove-locked throughout the song is where most players slip up. The verse and chorus chord movements are approachable for intermediate players, but the feel, that bouncy, slightly behind-the-beat pocket, takes real attention to nail. Use the Practice Toolbar to loop the main riff at a reduced speed and focus purely on your pick attack staying consistent before bringing it back up to 120 BPM. Getting the rhythm character right is genuinely what makes this one rewarding to play.

  • The rhythm guitar relies on tight, disco-influenced sixteenth-note strumming patterns, so a relaxed picking hand and consistent attack are the real technical demands.
  • E Standard tuning and A major key make this accessible for most electric players, with no capo or altered tuning required.
  • Looping the main riff slowed down is the most effective way to build the steady, groove-locked feel the song depends on before playing it at full tempo.

How to Play I Was Made For Lovin' You

Tuning: E Standard · Key: A major · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Ace Frehley's 1959 Les Paul Standard with stock PAF humbuckers delivers the warm, singing sustain that defines Kiss's lead tone when cranked through Marshall amplifiers. The moderate output and responsiveness of PAFs let his solos cut through without compression, creating that vocal-quality sustain signature to the classic era.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

The Les Paul Custom's thick mahogany body and humbucker configuration provide the foundational warmth and sustain essential to Kiss's rhythm and lead work throughout their career. Its slightly hotter output compared to standard models contributes to the band's characteristically thick, aggressive tone.

Marshall JCM800
Amp

Marshall JCM800

Ace Frehley switched to the JCM800 in his later Kiss years, using its tighter, more defined gain structure to achieve singing leads and aggressive rhythm tones. The 100-watt model's preamp-driven breakup, pushed hard with master volume around 6-7, anchors Kiss's powerful, sustain-heavy sound.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

The Marshall 1959 Super Lead Plexi was Ace Frehley's primary amplifier during Kiss's classic era, delivering natural tube breakup and responsive dynamics when cranked loud. This head's warm, organic gain is fundamental to the singing quality and sustain heard on iconic Kiss solos and rhythm work.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Ace Frehley uses the Cry Baby wah expressively throughout Kiss solos, most famously parked in a half-open position on 'Detroit Rock City' for a vocal-like tonal boost. The pedal's dynamic responsiveness pairs perfectly with his PAF-equipped Les Paul and cranked Marshall for expressive, singing lead work.

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