Pink Floyd - High Hopes - Guitar Lesson

Practice Studio

Pink Floyd - High Hopes - Guitar Lesson

Sections · Loop · Speed · Metronome

Not in tune?

Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Key Eb major
PLAY WITH BACKING TRACK
·
–50¢ 0 +50¢
· Tap to start

Your browser will ask for microphone permission.

Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

The Division Bell album cover
The Division Bell
1994 8:31
Capo Advisor 0 Eb major · Original key

High Hopes


"High Hopes" by Pink Floyd is the closing track on their 1994 album The Division Bell, composed by guitarist David Gilmour with lyrics co-written by Gilmour and Polly Samson. Running over eight minutes, the song is a reflective, atmospheric piece that showcases Gilmour's signature melodic lead playing and restrained tone. For electric guitarists, it offers an excellent study in expressive phrasing, pedal steel-influenced bends, and building emotional dynamics across a long-form arrangement.

  • David Gilmour composed the music, making it a direct reflection of his distinctive melodic and tonal approach to the electric guitar.
  • The song runs approximately 8 minutes and 31 seconds, giving guitarists an extended piece to study Gilmour's pacing and sustain.
  • Released as the second single from The Division Bell on 10 October 1994, it closed out Pink Floyd's fourteenth studio album.
Fender Stratocaster
Guitar

Fender Stratocaster

Gilmour's 1969 Black Strat is his primary instrument, offering glassy neck pickup tones perfect for his singing bends and the warm, rounded character that defines Pink Floyd's melodic solos without harsh brightness.

Fender Telecaster
Guitar

Fender Telecaster

This workhorse guitar provided Gilmour with a brighter, more cutting tone for rhythm work and alternative textures, offering the snap and clarity needed for Pink Floyd's diverse sonic palette across studio and live performances.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Gilmour's 1955 Les Paul Goldtop, fitted with original P-90 pickups, delivers the thick, gritty midrange essential for iconic solos like Comfortably Numb's outro, providing tonal weight and sustain that Strats cannot match.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

Though less documented than the Goldtop, this model would offer similar thick, sustained tones with enhanced versatility through multiple pickup switching, supporting Gilmour's need for varied textures within complex Pink Floyd arrangements.

Fender Twin Reverb
Amp

Fender Twin Reverb

Gilmour used Twin Reverbs for their exceptional clean headroom and built-in reverb, creating spacious, shimmering textures that complement his delay-heavy effects chain and define Pink Floyd's atmospheric, three-dimensional soundscapes.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

The Cry Baby opens Gilmour's effects chain, allowing expressive vocal-like phrasing on solos, integral to Pink Floyd's emotional delivery and creating dynamic dynamic tonal sweeps that enhance the band's psychedelic and progressive character.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)