Practice Studio

Queen - Hammer To Fall - Guitar Lesson

Sections · Loop · Speed · Metronome

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Select a Loop

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End of your loop

Speed Control

Speed
100%

Tools

BPM
Key E minor
PLAY WITH BACKING TRACK
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Queen Hard Rock E minor
Capo Advisor 0 E minor · Original key

About Hammer To Fall


Few Hard Rock riffs from the 1980s hit as hard as the one that opens this track, a driving, palm-muted power-chord figure in E minor that immediately sets the aggressive tone. Queen built the song around that riff, so getting it locked in tight and rhythmically precise is your first priority. At 120 BPM in E Standard tuning, the tempo is not brutal, but the riff demands clean muting and consistent pick attack throughout, and any sloppiness in your right hand will show up immediately. The chord shapes themselves are not complicated, but the stamina required to keep the palm muting controlled and punchy across a full performance is real. Pay close attention to where the muting lifts and the open chords ring out, because that contrast is where the energy of the song lives. Use the Practice Toolbar to loop the main riff slowed down until the muting and the accent pattern feel automatic before you bring it back up to full speed.

  • The main riff is built on palm-muted E minor power chords in E Standard tuning, making right-hand muting consistency the key technical challenge.
  • At 120 BPM the tempo is approachable, but sustaining clean, punchy palm muting across the full song requires serious pick-hand stamina.
  • The riff's dynamic contrast between muted chugging and open ringing chords is the detail to practise closely before running the whole track.

How to Play Hammer To Fall

Tuning: E Standard · Key: E minor · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Vox AC30
Amp

Vox AC30

Brian May stacks Vox AC30s cranked to full volume, letting natural tube breakup and the Top Boost channel create the chimey, harmonically rich overdrive that defines Queen's sound. Driven hard by a treble booster rather than pedal distortion, these amps deliver the compressed, singing tone central to May's signature style.

Boss DD-3 Digital Delay
Pedal

Boss DD-3 Digital Delay

May uses digital delay as a live equivalent to the tape echo (Echoplex) he favored in the studio, adding subtle spatial depth to his solos without cluttering his famously minimal effects chain. The DD-3 provides clean, repeating echoes that complement his vocal-like tone without compromising the directness of his treble booster-driven AC30 sound.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)