Creator Area
Sign in Creator Area

John Petrucci - Glasgow Kiss Pt.6 - Outro Solo - Guitar Lesson

Practice Studio

John Petrucci - Glasgow Kiss Pt.6 - Outro Solo - Guitar Lesson

Sections · Loop · Speed · Metronome

Not in tune?

Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
John Petrucci - Glasgow Kiss Pt.6 - Outro Solo guitar lesson video
Guitar 365
Guitar 365 Top Contributor
YouTube: 1.6Msubs 88Kviews
Creator Page →
PLAY WITH BACKING TRACK
·
–50¢ 0 +50¢
· Tap to start

Your browser will ask for microphone permission.

Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.
Listen on Spotify
John Petrucci Instrumental Rock

Glasgow Kiss Pt.6 - Outro Solo

Glasgow Kiss Pt.6 - Outro Solo is a section from John Petrucci's instrumental piece Glasgow Kiss, featured on his solo work. As a standalone outro solo, it showcases Petrucci's signature blend of technical precision, expressive phrasing, and high-gain electric guitar tone. For electric guitarists, learning this piece offers insight into advanced lead techniques including legato runs, string bending control, and the melodic sensibility that defines Petrucci's style as one of progressive rock's most respected guitarists.

  • John Petrucci is best known as the lead guitarist of Dream Theater, a band central to the progressive metal genre.
  • The outro solo format isolates a climactic musical statement, making it a focused study piece for advanced lead guitar technique.
  • Petrucci's solo material, including Glasgow Kiss, often demands mastery of alternate picking, legato, and wide interval stretches.
Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Petrucci uses the Cry Baby wah to add expressive vocal qualities to his lead passages, especially during Dream Theater's complex solos where the wah cuts through dense arrangements without muddying his articulate tone. The pedal's responsive sweep complements his pick dynamics and the tight midrange of his DiMarzio pickups.

Recommended for You

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)