Practice Studio

John Petrucci - Glasgow Kiss Pt.4 - Acoustic Section - Guitar Lesson

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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

About Glasgow Kiss Pt.4 - Acoustic Section


The acoustic section of "Glasgow Kiss Pt.4" is one of the most demanding fingerstyle passages in John Petrucci's solo catalogue. Where the rest of the piece leans on blistering electric technique, this section strips everything back to nylon or steel strings, exposing your left-hand fretting accuracy and right-hand finger independence with nowhere to hide. The lines are melodically intricate and the phrasing requires a clean legato touch rather than any pick attack, so even players comfortable with rock guitar will find the articulation a genuine challenge. Sitting within Progressive Rock as a genre, the piece carries that characteristic demand for precision at tempo, meaning rushing even slightly unravels the musical line. Work through the trickiest phrase repeats by looping them slowed down with the Practice Toolbar until each note speaks evenly before you push the speed back up. E Standard tuning means no retuning is needed, but the chord voicings still stretch the hand considerably.

  • The acoustic section is written in E Standard tuning, so no retuning is required, but the chord stretches and melodic runs still demand significant left-hand reach.
  • Right-hand finger independence is the core challenge here, as the passage relies on fingerstyle articulation rather than a pick, exposing any unevenness between fingers.
  • Use the Practice Toolbar to loop and slow down the most intricate melodic runs, building evenness and clarity before restoring the original tempo.

How to Play Glasgow Kiss Pt.4 - Acoustic Section

Tuning: E Standard

Use the section loop to isolate a passage and drop the speed to build each section up to tempo.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Petrucci uses the Cry Baby wah to add expressive vocal qualities to his lead passages, especially during Dream Theater's complex solos where the wah cuts through dense arrangements without muddying his articulate tone. The pedal's responsive sweep complements his pick dynamics and the tight midrange of his DiMarzio pickups.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)