Practice Studio

Dokken - Unchain The Night - Guitar Lesson

Sections · Loop · Speed · Metronome

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Select a Loop

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End of your loop

Speed Control

Speed
100%

Tools

BPM
Key E minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Under Lock and Key album cover
Under Lock and Key
1985 5:20
Dokken Hard Rock 1985 E minor
Capo Advisor 0 E minor · Original key

About Unchain The Night


George Lynch's guitar work on "Unchain The Night" is a strong reason to spend time with this track. The song sits in E minor at 120 BPM in standard tuning, which keeps everything accessible in terms of fretting positions, but don't let that fool you into thinking it's simple. Lynch drives the song with a hard-hitting riff built around open low-E power chords and quick chromatic moves that need to feel locked in and percussive, not sloppy. The lead playing demands both pick precision and controlled vibrato, and the phrasing has a behind-the-beat quality that takes real patience to absorb. If the transitions between the rhythm sections and Lynch's melodic fills are giving you trouble, use the Practice Toolbar to loop those bars slowed down until the timing clicks. Dokken were one of the tighter bands in 1985 hard rock, and this track reflects that discipline, so match it when you play.

  • The song is in E minor in standard tuning, so no retuning is needed, but the chromatic riff movements require clean left-hand muting to avoid unwanted string noise.
  • At 120 BPM the rhythm part has a driving, metronomic feel, making it a good exercise for picking consistency and right-hand palm muting control.
  • George Lynch's lead phrasing relies heavily on controlled vibrato and string bends, so isolate the solo sections with the Practice Toolbar to get each bend in tune.

How to Play Unchain The Night

Tuning: E Standard · Key: E minor · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Marshall JCM800
Amp

Marshall JCM800

The definitive rock amp of the 1980s. The JCM800's single-channel, all-tube design produces a natural, harmonically rich overdrive at high volumes. Every hard rock and metal guitar sound from that era ran through one of these.

Ibanez Tube Screamer TS9
Pedal

Ibanez Tube Screamer TS9

The most clone pedal in history. The Tube Screamer's mid-hump overdrive character pushes a tube amp into a creamy, singing lead tone while cutting bass frequencies for clarity. Stevie Ray Vaughan stacked two of them.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)