Practice Studio

Dokken - Breaking the Chains - Guitar Lesson

Sections · Loop · Speed · Metronome

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100%

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BPM
Key E minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Breaking the Chains album cover
Breaking the Chains
1983 3:52
Dokken Hard Rock 1983 E minor
Capo Advisor 0 E minor · Original key

About Breaking the Chains


George Lynch's guitar work is front and center on "Breaking the Chains," and the song rewards the effort you put into its rhythmic riffing. The main riff sits in E minor and leans heavily on palm-muted power chords with a punchy, locked-in groove at 120 BPM, so your picking hand consistency matters as much as your fretting hand. Lynch layers rhythm playing with melodic lead fills throughout, meaning you need to switch gears cleanly rather than staying in one mode the whole time. The solo is where things get genuinely demanding: Lynch combines legato runs with aggressive picking bursts, and the phrasing can feel slippery until you have really internalized it. Use the Practice Toolbar to loop the solo slowed down, isolating the transitions between the smoother legato stretches and the picked flurries. Dokken made this the title track of their debut, and it remains one of the cleaner entry points into Lynch's style within Hard Rock.

  • The main riff is built on palm-muted E minor power chords in standard tuning, making right-hand muting precision the first thing to nail.
  • George Lynch's solo blends legato hammer-on phrases with picked runs, requiring you to shift technique mid-phrase without losing momentum.
  • At 120 BPM the song sits at a moderate tempo, which actually makes the rhythmic tightness of the riff harder to fake than a faster tempo would.

How to Play Breaking the Chains

The song moves through: Intro, Guitar Intro, Octave melody, Verse, Pre-chorus, Chorus, Bridge, Solo.

Tuning: E Standard · Key: E minor · Tempo: 120 BPM

The arrangement runs through 8 distinct sections, and the solo is the steepest jump, so isolate it on its own.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Marshall JCM800
Amp

Marshall JCM800

The definitive rock amp of the 1980s. The JCM800's single-channel, all-tube design produces a natural, harmonically rich overdrive at high volumes. Every hard rock and metal guitar sound from that era ran through one of these.

Ibanez Tube Screamer TS9
Pedal

Ibanez Tube Screamer TS9

The most clone pedal in history. The Tube Screamer's mid-hump overdrive character pushes a tube amp into a creamy, singing lead tone while cutting bass frequencies for clarity. Stevie Ray Vaughan stacked two of them.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)