Practice Studio

Eric Johnson - Desert Rose Pt.3 - Outro Guitar Solo - Guitar Lesson

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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

About Desert Rose Pt.3 - Outro Guitar Solo


The outro guitar solo in "Desert Rose Pt.3" is a window into what makes Eric Johnson such a demanding player to study. At 120 BPM in E Standard, the solo sits at a tempo that feels comfortable until you try to match his phrasing exactly: his note choices are clean, his vibrato is controlled, and his pick attack is remarkably consistent. This is Progressive Rock playing at its most melodic, where the challenge is not raw speed but the shaping of each phrase. Johnson's legato runs and string bends need to feel vocal, not mechanical, so pay close attention to how long each note breathes before he moves on. Isolate the sections where a run shifts positions on the neck and use the Practice Toolbar to loop them slowed down until the fingering feels natural at full speed. The tone here rewards a clean signal, so keep your gain in check and let the left hand do the expressive work.

  • The solo is played in E Standard tuning, so no retuning is needed, but Johnson's precise pick attack and vibrato control are the real technical demands.
  • At 120 BPM the tempo is moderate, yet clean execution of position shifts and legato phrases makes this a strong test of left-hand coordination.
  • Focus practice on matching Johnson's bend intonation: each bend should land exactly on pitch and hold steady, which is harder to nail than the speed of any run.

How to Play Desert Rose Pt.3 - Outro Guitar Solo

Tuning: E Standard · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Eric Johnson's primary instrument, with vintage single-coils and a rolled-back tone knob that deliver warm, articulate lead tones and dynamic range. His signature model features a 1-meg volume pot preserving high-end clarity, essential for his layered clean and overdriven tones.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Johnson uses original PAF humbuckers on his 1958/1959 model for heavier, mid-rich lead work, providing thicker sustain and compression on songs like 'Cliffs of Dover' when pushed through his Marshall head.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

While not explicitly mentioned in Johnson's primary setup, this model shares PAF humbucker characteristics that would deliver similar thick, creamy lead tones and compressed sustain for heavier passages.

Gibson ES-335
Guitar

Gibson ES-335

Johnson switches to this semi-hollow body for jazzier passages mid-song, its balanced tone bridging his bright Strat clarity and Les Paul warmth for sophisticated, articulate lead work.

Fender Twin Reverb
Amp

Fender Twin Reverb

Johnson's core clean and light-crunch amp, run at volumes 5-6 for shimmering clarity and natural reverb that blends with his Marshall's grit to create his signature layered tone.

Ibanez Tube Screamer TS9
Pedal

Ibanez Tube Screamer TS9

Set with low gain and high level as a clean boost, Johnson's TS9 pushes his amps into natural breakup while preserving the dynamic articulation crucial to his playing style.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)