Practice Studio

Eric Johnson - Cliffs Of Dover Pt.5 - Outro Chorus & Cadenza - Guitar Lesson

Sections · Loop · Speed · Metronome

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Speed
100%

Tools

BPM
Key G major
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Capo Advisor 0 G major · Original key

About Cliffs Of Dover Pt.5 - Outro Chorus & Cadenza


The outro chorus and cadenza section of "Cliffs of Dover" is where Eric Johnson really puts the technique demands on full display. The cadenza in particular is a solo showcase of fluid, lightning-fast pentatonic runs in G major that require clean alternate picking and smooth legato phrasing working together. At 120 BPM the passage feels brisk, and even small inconsistencies in pick attack or left-hand muting will stand out in a big way. The outro chorus rewards attention to dynamics too: Johnson shapes phrases with noticeable swells and falls in volume, so playing every note at the same intensity will flatten the feel entirely. This is exactly the kind of section where the Practice Toolbar earns its keep. Loop the cadenza run slowed down until your fretting hand can land every note cleanly before you push the tempo back up. Progressive Rock phrasing sensibility runs through the whole piece, and this closing section is the clearest example of it.

  • The cadenza demands a fluid combination of alternate picking and legato hammer-ons and pull-offs across pentatonic runs in G major.
  • E Standard tuning is used throughout, so no retuning is needed, but clean string muting is critical given the fast passage work.
  • Tone clarity matters enormously here: Johnson's clean, glassy guitar sound means any fret buzz or sloppy transitions will be immediately audible.

How to Play Cliffs Of Dover Pt.5 - Outro Chorus & Cadenza

Tuning: E Standard · Key: G major · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Eric Johnson's primary instrument, with vintage single-coils and a rolled-back tone knob that deliver warm, articulate lead tones and dynamic range. His signature model features a 1-meg volume pot preserving high-end clarity, essential for his layered clean and overdriven tones.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Johnson uses original PAF humbuckers on his 1958/1959 model for heavier, mid-rich lead work, providing thicker sustain and compression on songs like 'Cliffs of Dover' when pushed through his Marshall head.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

While not explicitly mentioned in Johnson's primary setup, this model shares PAF humbucker characteristics that would deliver similar thick, creamy lead tones and compressed sustain for heavier passages.

Gibson ES-335
Guitar

Gibson ES-335

Johnson switches to this semi-hollow body for jazzier passages mid-song, its balanced tone bridging his bright Strat clarity and Les Paul warmth for sophisticated, articulate lead work.

Fender Twin Reverb
Amp

Fender Twin Reverb

Johnson's core clean and light-crunch amp, run at volumes 5-6 for shimmering clarity and natural reverb that blends with his Marshall's grit to create his signature layered tone.

Ibanez Tube Screamer TS9
Pedal

Ibanez Tube Screamer TS9

Set with low gain and high level as a clean boost, Johnson's TS9 pushes his amps into natural breakup while preserving the dynamic articulation crucial to his playing style.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)