Practice Studio

Savatage - Gutter Ballet - Guitar Cover

Sections · Loop · Speed · Metronome

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Speed
100%

Tools

BPM
Key E minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Savatage Heavy Metal E minor
Capo Advisor 0 E minor · Original key

About Gutter Ballet


Few heavy metal ballads ask as much of a guitarist as "Gutter Ballet" does. The song opens with a delicate fingerpicked or arpeggiated clean guitar passage in E minor that sets a brooding, almost classical mood before the full band arrives. That contrast between the gentle intro and the heavier sections means you need real control over your dynamics, keeping the quiet parts genuinely quiet and then committing fully when the distortion kicks in. At 120 BPM the tempo is moderate and manageable, but the phrasing demands patience rather than speed. Savatage built much of their identity around this kind of dramatic guitar writing, and the clean arpeggios here reward careful attention to tone and touch. The tricky moment for most players is the transition into the heavier riff, so use the Practice Toolbar to loop that section slowed down until the shift feels natural. Heavy metal guitar rarely leans this far into orchestral texture, which makes this piece genuinely worth studying.

  • The clean intro relies on arpeggiated chord work in E minor, so a light pick grip or fingerpicking approach will help you match the delicate tone.
  • At 120 BPM the song sits at a moderate tempo, but nailing the dynamic shift from clean to heavy is the real technical challenge here.
  • E Standard tuning keeps everything accessible, letting you focus on phrasing and tone rather than any retuning or alternate fingering demands.

How to Play Gutter Ballet

Tuning: E Standard · Key: E minor · Tempo: 120 BPM · Difficulty: Medium

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Marshall JCM800
Amp

Marshall JCM800

Criss Oliva's primary amplifier, the JCM800 delivers the natural tube saturation and midrange bite essential to Savatage's heavy yet articulate metal tone. Set to medium-high gain, it maintains clarity on rhythm parts while providing creamy sustain for blazing lead passages.

Seymour Duncan JB
Pickup

Seymour Duncan JB

The JB bridge pickup in Oliva's guitars provides the hot output needed to push the Marshall into natural saturation while maintaining definition during fast legato runs and complex solos. Its balanced character captures Savatage's thick, compressed lead tone across the band's discography.

DiMarzio Super Distortion
Pickup

DiMarzio Super Distortion

This high-output humbucker offers the same compressed, articulate lead tone as Oliva's original pickups, delivering enough signal to drive a cranked Marshall while keeping fast passages clear and defined. It's an ideal alternative for replicating Savatage's signature guitar voice.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Oliva occasionally used the Cry Baby to add expressive character to lead passages throughout Savatage's catalog, particularly on studio recordings. Though not central to his tone, it provided dynamic articulation for select solos without compromising the amp-driven core sound.