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Pink Floyd - The Great Gig In The Sky - Guitar Cover

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Key G minor
Pink Floyd - The Great Gig In The Sky guitar cover video
Kfir Ochaion
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Classic Rock

Gain6
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Mid7
Treble6
Presence5
Master7
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The Dark Side of the Moon album cover
The Dark Side of the Moon
1973 4:44
Listen on Spotify
Pink Floyd Progressive Rock 1973 G minor
Capo Advisor 0 G minor · Original key

About The Great Gig In The Sky

Most guitarists come to "The Great Gig in the Sky" expecting a challenge, and the song delivers one in an unusual way: the guitar part is largely textural and supportive, sitting beneath Clare Torry's soaring wordless vocals and Richard Wright's piano. Playing along in G minor at 90 BPM demands restraint above almost everything else. The feel is slow, spacious, and emotionally heavy, so every note you choose to play carries weight. The real work is locking into that groove without cluttering the arrangement, which means your sense of dynamics and touch matters far more than speed or complexity. Pink Floyd, working within the Progressive Rock genre, built this track around atmosphere, and guitar playing that fights that atmosphere will always sound wrong. If you want to study how the chord movement breathes across the track, use the Practice Toolbar to loop sections slowed down and focus on where the harmony resolves and where it hangs suspended.

  • The track sits in G minor at 90 BPM, giving guitar accompaniment a slow, weighted feel that rewards playing behind the beat rather than on top of it.
  • Because the arrangement is sparse and piano-led, any guitar part needs careful attention to dynamics and note choice to avoid overwhelming the texture.
  • Practising chord voicings that leave space in the upper register will help your guitar part sit under the vocals without crowding the mix.

How to Play The Great Gig In The Sky

Key: G minor · Tempo: 68 BPM

Loop each section and focus on clean, even timing rather than speed, with the metronome at 68 BPM.

Fender Stratocaster
Guitar

Fender Stratocaster

Gilmour's 1969 Black Strat is his primary instrument, offering glassy neck pickup tones perfect for his singing bends and the warm, rounded character that defines Pink Floyd's melodic solos without harsh brightness.

Fender Telecaster
Guitar

Fender Telecaster

This workhorse guitar provided Gilmour with a brighter, more cutting tone for rhythm work and alternative textures, offering the snap and clarity needed for Pink Floyd's diverse sonic palette across studio and live performances.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Gilmour's 1955 Les Paul Goldtop, fitted with original P-90 pickups, delivers the thick, gritty midrange essential for iconic solos like Comfortably Numb's outro, providing tonal weight and sustain that Strats cannot match.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

Though less documented than the Goldtop, this model would offer similar thick, sustained tones with enhanced versatility through multiple pickup switching, supporting Gilmour's need for varied textures within complex Pink Floyd arrangements.

Fender Twin Reverb
Amp

Fender Twin Reverb

Gilmour used Twin Reverbs for their exceptional clean headroom and built-in reverb, creating spacious, shimmering textures that complement his delay-heavy effects chain and define Pink Floyd's atmospheric, three-dimensional soundscapes.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

The Cry Baby opens Gilmour's effects chain, allowing expressive vocal-like phrasing on solos, integral to Pink Floyd's emotional delivery and creating dynamic dynamic tonal sweeps that enhance the band's psychedelic and progressive character.

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