Practice Studio

Pink Floyd - Run Like Hell - Guitar Cover

Sections · Loop · Speed · Metronome

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Speed Control

Speed
100%

Tools

BPM
Key D minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

The Wall album cover
The Wall
1979 4:23
Capo Advisor 0 D minor · Original key

About Run Like Hell


The driving force of "Run Like Hell" is David Gilmour's heavily flanged, rhythmic guitar figure in D minor, built on a repeating sixteenth-note pattern that locks tightly with the kick drum at 120 BPM. Getting that groove right is the real challenge here: the picking hand has to stay absolutely mechanical and even, while the fretting hand mutes and releases with surgical precision to give the riff its characteristic choppy pulse. In E Standard tuning the shapes are not complex on paper, but sustaining that locked-in feel for the full length of the track is surprisingly taxing. The flanger effect is thick and central to the tone, so if you are woodshedding the riff dry it will feel quite different from the record. Use the Practice Toolbar to loop the main riff slowed down until the muting and the picking rhythm are genuinely automatic before bringing it back up to tempo. Pink Floyd built this track as a crowd-participation centrepiece of The Wall live show, and that relentless, hypnotic quality is exactly what you are aiming to capture in a Progressive Rock context.

  • The signature riff relies on tight palm-muting and steady sixteenth-note alternate picking in D minor, so right-hand consistency is the primary thing to drill.
  • A flanger effect is essential to the song's guitar tone, sitting thick across the repeated rhythmic figure throughout the track.
  • At 120 BPM the riff feels moderate, but maintaining even pick attack and clean muting across a full-length run demands real stamina and focus.

How to Play Run Like Hell

Tuning: E Standard · Key: D minor · Tempo: 116 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 116 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Gilmour's 1969 Black Strat is his primary instrument, offering glassy neck pickup tones perfect for his singing bends and the warm, rounded character that defines Pink Floyd's melodic solos without harsh brightness.

Fender Telecaster
Guitar

Fender Telecaster

This workhorse guitar provided Gilmour with a brighter, more cutting tone for rhythm work and alternative textures, offering the snap and clarity needed for Pink Floyd's diverse sonic palette across studio and live performances.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Gilmour's 1955 Les Paul Goldtop, fitted with original P-90 pickups, delivers the thick, gritty midrange essential for iconic solos like Comfortably Numb's outro, providing tonal weight and sustain that Strats cannot match.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

Though less documented than the Goldtop, this model would offer similar thick, sustained tones with enhanced versatility through multiple pickup switching, supporting Gilmour's need for varied textures within complex Pink Floyd arrangements.

Fender Twin Reverb
Amp

Fender Twin Reverb

Gilmour used Twin Reverbs for their exceptional clean headroom and built-in reverb, creating spacious, shimmering textures that complement his delay-heavy effects chain and define Pink Floyd's atmospheric, three-dimensional soundscapes.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

The Cry Baby opens Gilmour's effects chain, allowing expressive vocal-like phrasing on solos, integral to Pink Floyd's emotional delivery and creating dynamic dynamic tonal sweeps that enhance the band's psychedelic and progressive character.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)