Pink Floyd - Marooned - Guitar Cover

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Pink Floyd - Marooned - Guitar Cover

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The Division Bell album cover
The Division Bell
1994 5:29
Capo Advisor 0 A minor · Original key

Marooned


"Marooned" is an instrumental track by Pink Floyd, featured on their 1994 album The Division Bell. Built around David Gilmour's expressive lead guitar work, the piece relies almost entirely on tone, sustain, and phrasing to create atmosphere rather than conventional song structure. For electric guitarists, it is an essential study in how melody, volume swells, and carefully chosen notes can convey deep emotion without a single word.

  • "Marooned" is the only Pink Floyd track to have won a Grammy Award, taking home Best Rock Instrumental Performance.
  • The song is entirely instrumental, making Gilmour's guitar the sole melodic voice throughout the track.
  • Released on The Division Bell in 1994, "Marooned" showcases Gilmour's signature use of sustain and vibrato over slow, ambient chord progressions.
Fender Stratocaster
Guitar

Fender Stratocaster

Gilmour's 1969 Black Strat is his primary instrument, offering glassy neck pickup tones perfect for his singing bends and the warm, rounded character that defines Pink Floyd's melodic solos without harsh brightness.

Fender Telecaster
Guitar

Fender Telecaster

This workhorse guitar provided Gilmour with a brighter, more cutting tone for rhythm work and alternative textures, offering the snap and clarity needed for Pink Floyd's diverse sonic palette across studio and live performances.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Gilmour's 1955 Les Paul Goldtop, fitted with original P-90 pickups, delivers the thick, gritty midrange essential for iconic solos like Comfortably Numb's outro, providing tonal weight and sustain that Strats cannot match.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

Though less documented than the Goldtop, this model would offer similar thick, sustained tones with enhanced versatility through multiple pickup switching, supporting Gilmour's need for varied textures within complex Pink Floyd arrangements.

Fender Twin Reverb
Amp

Fender Twin Reverb

Gilmour used Twin Reverbs for their exceptional clean headroom and built-in reverb, creating spacious, shimmering textures that complement his delay-heavy effects chain and define Pink Floyd's atmospheric, three-dimensional soundscapes.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

The Cry Baby opens Gilmour's effects chain, allowing expressive vocal-like phrasing on solos, integral to Pink Floyd's emotional delivery and creating dynamic dynamic tonal sweeps that enhance the band's psychedelic and progressive character.