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Pink Floyd - High Hopes - Guitar Cover

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Pink Floyd - High Hopes - Guitar Cover

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Pink Floyd - High Hopes guitar cover video
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The Division Bell album cover
The Division Bell
1994 8:31
Listen on Spotify
Pink Floyd Progressive Rock 1994 Eb major
Capo Advisor 0 Eb major · Original key

High Hopes

"High Hopes" by Pink Floyd is the closing track on their fourteenth studio album, The Division Bell, released in 1994. Composed by guitarist David Gilmour with lyrics written alongside Polly Samson, the song showcases Gilmour's signature melodic lead style and atmospheric chord work. It is a rewarding piece for electric guitarists looking to study expressive phrasing, clean tone dynamics, and the restrained, emotive approach that defines Gilmour's playing.

  • David Gilmour composed the music, making it a direct reflection of his signature guitar voice and melodic sensibility.
  • "High Hopes" was released as the second single from The Division Bell on 10 October 1994.
  • As the album's closing track, the song builds to a spacious, layered guitar arrangement — ideal for studying Gilmour's sustain and vibrato techniques.
Fender Stratocaster
Guitar

Fender Stratocaster

Gilmour's 1969 Black Strat is his primary instrument, offering glassy neck pickup tones perfect for his singing bends and the warm, rounded character that defines Pink Floyd's melodic solos without harsh brightness.

Fender Telecaster
Guitar

Fender Telecaster

This workhorse guitar provided Gilmour with a brighter, more cutting tone for rhythm work and alternative textures, offering the snap and clarity needed for Pink Floyd's diverse sonic palette across studio and live performances.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Gilmour's 1955 Les Paul Goldtop, fitted with original P-90 pickups, delivers the thick, gritty midrange essential for iconic solos like Comfortably Numb's outro, providing tonal weight and sustain that Strats cannot match.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

Though less documented than the Goldtop, this model would offer similar thick, sustained tones with enhanced versatility through multiple pickup switching, supporting Gilmour's need for varied textures within complex Pink Floyd arrangements.

Fender Twin Reverb
Amp

Fender Twin Reverb

Gilmour used Twin Reverbs for their exceptional clean headroom and built-in reverb, creating spacious, shimmering textures that complement his delay-heavy effects chain and define Pink Floyd's atmospheric, three-dimensional soundscapes.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

The Cry Baby opens Gilmour's effects chain, allowing expressive vocal-like phrasing on solos, integral to Pink Floyd's emotional delivery and creating dynamic dynamic tonal sweeps that enhance the band's psychedelic and progressive character.

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