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Iron Maiden - Only the Good Die Young - Guitar Cover

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Iron Maiden - Only the Good Die Young - Guitar Cover

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Iron Maiden - Only the Good Die Young guitar cover video
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Seventh Son of a Seventh Son (2015 Remaster) album cover
Seventh Son of a Seventh Son (2015 Remaster)
1988 4:43
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Iron Maiden Heavy Metal 1988 E minor
Capo Advisor 0 E minor · Original key

Only the Good Die Young

"Only the Good Die Young" is a track by English heavy metal band Iron Maiden, featured on their 1988 studio album Seventh Son of a Seventh Son. The album debuted at number one on the UK Albums Chart and is considered one of Maiden's most ambitious records, built around a progressive, conceptual framework. For electric guitar players, the song offers an opportunity to explore the twin-guitar interplay and melodic phrasing that define Iron Maiden's classic style.

  • Seventh Son of a Seventh Son was Iron Maiden's seventh studio album, released on 11 April 1988 via EMI Records in the UK.
  • The album hit number one on the UK Albums Chart, making it one of Iron Maiden's most commercially successful records.
  • Learning this track is a strong entry point into Maiden's signature dual-guitar harmony approach, central to their sound.
Fender Stratocaster
Guitar

Fender Stratocaster

Iron Maiden's signature choice for heavy metal, the Strat's bright single-coils in neck and middle positions deliver the glassy, articulate tone that defines their melodic passages. Dave Murray and Adrian Smith pair bridge humbuckers with this platform to preserve pick dynamics and note definition rather than drowning in compressed gain.

Marshall JCM800
Amp

Marshall JCM800

The backbone of Maiden's iconic sound, the JCM800's moderate gain structure lets the power tubes sing without preamp saturation, preserving the punch and harmonic clarity that makes their riffs cut through a mix. Murray and Smith set gain moderately to maintain definition while pushing the amp into natural tube breakup.

Seymour Duncan JB
Pickup

Seymour Duncan JB

Adrian Smith's weapon of choice, the JB's balanced output drives Marshall amps into singing sustain without over-compressing dynamics, allowing his lead lines to breathe with clarity and snap. This moderate-output humbucker maintains the attack and articulation essential to Maiden's punchy, defined metal tone.

DiMarzio Super Distortion
Pickup

DiMarzio Super Distortion

Dave Murray's bridge pickup at 13k output strikes the perfect balance, hitting the Marshall hard enough for thick sustain yet retaining enough dynamics for expressive bending and harmonic control. It's hot enough to sing but not so overwound that it flattens the natural Strat character underneath.

Boss SD-1 Super Overdrive
Pedal

Boss SD-1 Super Overdrive

Murray and Smith use this clean boost to push their Marshalls harder during solos, adding aggression without relying on pedal distortion, keeping the tube amp saturation as the true tone source. The SD-1 preserves their natural playing dynamics while giving leads extra presence and cut.

ISP Decimator Noise Gate
Pedal

ISP Decimator Noise Gate

Smith occasionally employs this noise gate to manage feedback and hum from his high-output rig without sacrificing sustain, staying true to Maiden's philosophy of minimal pedal intervention. It's a practical tool for live performance that doesn't color the natural tube amp tone.

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