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Gary Moore - Still Got the Blues - Guitar Tab

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Gary Moore - Still Got the Blues - Guitar Tab

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Gary Moore - Still Got the Blues guitar tab video
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Gary Moore Blues Rock A minor
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Still Got the Blues

"Backing Track" by Still Got the Blues is a guitar-focused track rooted in the electric blues style that Northern Irish guitarist Gary Moore explored on his 1990 album Still Got the Blues. The album marked a significant shift away from Moore's rock and hard rock background with bands like Thin Lizzy and Skid Row, embracing a raw, expressive blues sound. It makes an excellent learning resource for electric guitarists looking to study authentic blues phrasing, tone, and feel.

  • Gary Moore's Still Got the Blues featured legendary blues guitarists Albert King and Albert Collins as guest contributors.
  • The album represented a major stylistic pivot for Moore, moving from hard rock toward traditional electric blues.
  • George Harrison also appeared as a guest on Still Got the Blues, making it a historically notable record for guitar enthusiasts.
Fender Stratocaster
Guitar

Fender Stratocaster

Gary Moore wielded Fender Stratocasters for his cleaner blues tones, using their glassy single-coil bite to contrast with his Les Paul's fat sustain. The thin, articulate voice let him deliver expressive rhythm work and cutting lead lines without the compressed warmth of humbuckers.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Moore's iconic 'Greeny' Gibson Les Paul Standard with its reversed neck pickup magnet became his signature, delivering dynamic PAF humbucker tone that bloomed into singing sustain when pushed through cranked Marshalls. This guitar defined his ability to achieve violin-like feedback and endless note decay.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

The Gibson Les Paul Custom gave Moore additional options beyond 'Greeny', with standard PAF-style humbuckers in the 7.5–8.5k ohm range providing enough output to drive his Marshalls into natural power-tube saturation without ceramic pickup compression. This guitar delivered the fat, singing tone central to his hard rock era.

Marshall JCM800
Amp

Marshall JCM800

The Marshall JCM800 became Moore's modern workhorse, cranked loud enough to achieve that singing, violin-like sustain where controlled feedback allowed notes to bloom endlessly. The amp's natural power-tube saturation created rich harmonic overtones essential to his fluid, sustaining lead style.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

Gary Moore's early Marshall 1959 Super Lead Plexis were run at volume to generate natural harmonic saturation and responsive, singing sustain that defined his blues-rock foundation. The amp's sensitivity to picking dynamics let his fingers shape tone as much as the guitar itself.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Moore deployed the Dunlop Cry Baby Wah for expressive, soulful lead passages that added vocal-like character to his soaring solos. Though a key tool in his arsenal, it served as seasoning to his core tone rather than the foundation of his sound.

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