Practice Studio

Stevie Ray Vaughan - Mary Had a Little Lamb - Guitar Tab

Sections · Loop · Speed · Metronome

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Speed Control

Speed
100%

Tools

BPM
Key E minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Texas Flood (Legacy Edition) album cover
Texas Flood (Legacy Edition)
1983 2:47
Capo Advisor 0 E minor · Original key

About Mary Had a Little Lamb


Few nursery rhyme melodies have been put to better use on guitar than this one. Stevie Ray Vaughan transforms the familiar tune into a strutting shuffle, and playing it well means getting deep into his rhythm feel before you worry about the lead lines. The groove sits in E minor at 120 BPM, which sounds comfortable until you try to lock in that behind-the-beat swagger he brings to every phrase. The challenge is not the notes themselves but the tone and touch: heavy strings, a strong pick attack, and vibrato that finishes every phrase with conviction. Vaughan weaves the nursery rhyme theme into a call-and-response pattern between vocal lines and guitar fills, so knowing where to sit back and where to cut through is the real lesson here. Use the Practice Toolbar to loop any of those fill moments slowed down until the timing feels natural rather than rushed. Blues Rock phrasing at its most direct.

  • The song is played in E Standard tuning at 120 BPM, so fretting-hand endurance and consistent pick attack matter more than navigating unusual string tension.
  • Vaughan's fills follow the vocal melody closely, making call-and-response phrasing between singing and guitar the central technique to practise here.
  • Getting the shuffle feel right requires relaxing the picking hand and letting notes breathe slightly behind the beat, a detail easy to miss at first.

How to Play Mary Had a Little Lamb

Tuning: E Standard · Key: E minor · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

SRV's heavily worn '63 'Number One' with thick .013-.058 strings and responsive single-coils defined his expressive, dynamic tone. The guitar's worn frets and responsive pickups let him control saturation purely through picking attack and volume knob, a cornerstone of his finger-driven style.

Ibanez Tube Screamer TS9
Pedal

Ibanez Tube Screamer TS9

SRV used the TS9 as a clean boost with minimal drive, maxing the level to push his cranked tube amps into heavier saturation while adding midrange focus. This approach preserved his dynamic control and kept the tone transparent, letting his fingers shape every nuance of sustain and breakup.