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Slayer - The Final Command - Guitar Tab

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Slayer - The Final Command - Guitar Tab

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Slayer - The Final Command guitar tab video
Guillaume Vrac
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Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Show No Mercy album cover
Show No Mercy
1983 2:32
Listen on Spotify
Slayer Heavy Metal 1983

The Final Command

"The Final Command" by Slayer appears on their 1983 debut album Show No Mercy, a record that helped define the early thrash metal sound. The track showcases the aggressive picking styles, palm-muted riffing, and raw guitar tone that became hallmarks of Slayer's approach. For electric guitar players, it offers a strong introduction to high-speed thrash techniques and the stripped-down, unpolished sound characteristic of early 1980s extreme metal.

  • Show No Mercy was recorded on a minimal budget, giving the guitars a raw, unrefined tone worth studying for early thrash authenticity.
  • Slayer's 1983 debut featured dual guitar work from Kerry King and Jeff Hanneman, whose interplay shaped the song's aggressive structure.
  • The album was released in 1983, placing it among the earliest examples of the thrash metal genre alongside contemporaries like Metallica and Exodus.
Marshall JCM800
Amp

Marshall JCM800

Kerry King and Jeff Hanneman relied on the JCM800's raw, scooped-mid aggression cranked to extreme volumes to achieve Slayer's signature saturated tone without overdrive pedals. The amp's natural power tube saturation is essential to their pure, unprocessed rhythm and lead attacks.

EMG 81
Pickup

EMG 81

The EMG 81's high-output, compressed tone with cutting highs delivers the tight, aggressive attack that defines Slayer's palm-muted riffs and solos. Its hot signal keeps the cranked Marshall in full saturation while eliminating noise at extreme gain levels.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Kerry King uses the Cry Baby wah as his only regular effect pedal, adding expressive chaos and intensity to his trademark chaotic solos over otherwise unprocessed, pure Marshall saturation.

DigiTech Whammy
Pedal

DigiTech Whammy

Not part of Slayer's core tone. King's whammy effects come from intentionally detuning non-locking tremolo systems on his B.C. Rich guitars, not digital pedal-based pitch shifting.

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