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Skid Row - I Remember You - Guitar Tab

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Skid Row - I Remember You - Guitar Tab

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Skid Row - I Remember You guitar tab video
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Classic Rock

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Skid Row album cover
Skid Row
1989 5:14
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Skid Row Glam Metal 1989 D major
Capo Advisor 0 D major · Original key

I Remember You

"I Remember You" is a power ballad by American heavy metal band Skid Row, released in 1989 as the third single from their self-titled debut album. Written by Rachel Bolan and Dave "the Snake" Sabo, the song centers on longing for a lost love and became one of the band's biggest hits, reaching number six on the US Billboard Hot 100. For electric guitarists, it offers an accessible entry point into late-80s rock balladry, featuring melodic lead work, clean and driven tones, and expressive phrasing typical of the era.

  • The song was co-written by bassist Rachel Bolan and guitarist Dave 'the Snake' Sabo, a common songwriting duo within Skid Row.
  • Despite being a ballad, it appeared on Skid Row's heavy metal debut album released in 1989 alongside harder-edged tracks.
  • It reached number two in New Zealand and entered the top 20 in Australia, Canada, Finland, and Ireland, showing broad international appeal.
Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Sabo deployed the Les Paul's thick, woody sustain on Skid Row's heaviest tracks, using the guitar's body mass to add low-end punch to power chords. The Les Paul's stock humbuckers pushed his Marshall into aggressive saturation while maintaining the articulate crunch that defines their sound.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

The Custom's premium build and tonal thickness gave Sabo an alternative for ballad work and heavier material, offering darker midrange warmth than his signature Charvels. This guitar's resonance complemented the Marshall JCM900's natural tube compression for their most saturated, body-forward tones.

Marshall JCM800
Amp

Marshall JCM800

The JCM800's hot preamp became the sonic backbone of Skid Row's crunch, delivering that tight, compressed saturation when cranked that defined hits like 'Youth Gone Wild.' Paired with 4x12 cabs loaded with Greenbacks or Vintage 30s, it produced the articulate yet aggressive tone essential to their hard rock identity.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Sabo used the Cry Baby's expressive sweep on solo passages to add human, vocal-like character to leads, especially during extended guitar moments. The wah's responsive filtering complemented his bridge humbucker's output, letting him shape aggressive yet dynamic solo accents.

Boss DD-3 Digital Delay
Pedal

Boss DD-3 Digital Delay

The DD-3's short slapback repeats provided subtle space and dimension to Skid Row's lead work without muddying the amp-driven tone. Set for tight repeats rather than spacious trails, it added polish to solos while keeping the focus on the Marshall's natural tube saturation and pick articulation.

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