Creator Area
Sign in Creator Area

Santana - Black Magic Woman - Guitar Tab

Practice Studio

Santana - Black Magic Woman - Guitar Tab

Sections · Loop · Speed · Metronome

Not in tune?

SECTIONS

Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Key Dm minor
Santana - Black Magic Woman guitar tab video
Mr. Tabs
Mr. Tabs Top Contributor
YouTube: 1.1Msubs 731Kviews
Creator Page →
·
–50¢ 0 +50¢
· Tap to start

Your browser will ask for microphone permission.

Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.
Ultimate Santana album cover
Ultimate Santana
2007 3:16
Listen on Spotify
Santana Latin Rock 2007 Dm minor
Capo Advisor 0 Dm minor · Original key

Black Magic Woman

"Black Magic Woman" is a song originally written by Peter Green and first recorded by Fleetwood Mac in 1968. Santana's interpretation transformed it into a Latin rock landmark, blending blues guitar with Afro-Cuban rhythms. For electric guitarists, it offers an excellent study in expressive lead playing, minor-key phrasing, and the kind of melodic soloing that made Carlos Santana's tone and sustain iconic.

  • The song was written by Peter Green of Fleetwood Mac, not by Carlos Santana, making it a notable cover.
  • Santana's version fuses blues-rooted guitar lines with Latin percussion, giving the riff a distinctly different feel from the original.
  • Learning this song exposes guitarists to minor pentatonic soloing with a lyrical, singing quality central to Santana's style.
Fender Twin Reverb
Amp

Fender Twin Reverb

Santana cranked Fender Twin Reverbs in his early years to achieve natural breakup and warm sustain before switching to Mesa/Boogie. The Twin's natural compression and smooth overdrive characteristics laid the foundation for his signature singing tone.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Carlos uses the Dunlop Cry Baby selectively for expressive filter sweeps on solos, keeping it minimal since his tone comes primarily from guitar and amp interaction. The wah adds vocalistic expressiveness without dominating his fundamentally sustain-driven sound.

Recommended for You