Practice Studio

Queen - Keep Yourself Alive - Guitar Tab

Sections · Loop · Speed · Metronome

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Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Key C major
PLAY WITH BACKING TRACK
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

At The BBC album cover
At The BBC
1973 3:48
Queen Rock 1973 C major
Capo Advisor 0 C major · Original key

About Keep Yourself Alive


Written by Queen guitarist Brian May, "Keep Yourself Alive" announced the band's arrival in 1973 with a riff-driven energy that still challenges players today. The main riff sits in C major at 120 BPM, and its drive comes as much from tight rhythm playing as from the notes themselves. Getting the right chug and percussive attack under the riff is where most guitarists slip up, so use the Practice Toolbar to loop those opening bars slowed down until the picking hand feels locked in. May's layered guitar approach means the studio tone is dense, but the core part is playable with a single guitar if you focus on capturing the rhythmic feel rather than chasing the full studio wall of sound. The song also asks for clean chord changes at a pace that rewards slow, deliberate practice before you bring it up to tempo. Hard Rock picking stamina gets a real workout here across the full length of the track.

  • The main riff is built around C major and relies heavily on right-hand attack and muting to give it the characteristic punchy feel.
  • Brian May famously used a homemade guitar, the Red Special, which contributes to the thick, layered tone heard throughout the track.
  • At 120 BPM the song sits at a moderate pace, but sustaining tight rhythm playing across the full track is the real stamina test.

How to Play Keep Yourself Alive

Tuning: E Standard · Key: C major · Tempo: 132 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 132 BPM to build it up to tempo.

Vox AC30
Amp

Vox AC30

Brian May stacks Vox AC30s cranked to full volume, letting natural tube breakup and the Top Boost channel create the chimey, harmonically rich overdrive that defines Queen's sound. Driven hard by a treble booster rather than pedal distortion, these amps deliver the compressed, singing tone central to May's signature style.

Boss DD-3 Digital Delay
Pedal

Boss DD-3 Digital Delay

May uses digital delay as a live equivalent to the tape echo (Echoplex) he favored in the studio, adding subtle spatial depth to his solos without cluttering his famously minimal effects chain. The DD-3 provides clean, repeating echoes that complement his vocal-like tone without compromising the directness of his treble booster-driven AC30 sound.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)