Practice Studio

Queen - I Want It - Guitar Solo Tab

Sections · Loop · Speed · Metronome

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Select a Loop

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End of your loop

Speed Control

Speed
100%

Tools

BPM
Key A major
PLAY WITH BACKING TRACK
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

The Miracle (Deluxe Remastered Version) album cover
The Miracle (Deluxe Remastered Version)
1989 4:02
Queen Funk Rock 1989 A major
Capo Advisor 0 A major · Original key

About I Want It


Brian May wrote "I Want It All" and his fingerprints are all over the guitar work, from the punchy opening chords to the searing lead lines that drive the track forward. Playing in A major at 104 BPM in E Standard tuning keeps things accessible, but nailing May's tone and phrasing is where the real challenge lies. His rhythm work leans into a tight, percussive Funk Rock feel, so right-hand muting and attack matter as much as the chord shapes themselves. The solo section demands confident bends and vibrato in the classic May style, and if the phrasing feels slippery at tempo, use the Practice Toolbar to loop it slowed down until the muscle memory is solid. Queen built this track around a sense of raw momentum, so resist the urge to over-smooth the rhythm parts. Let the chords bite a little, and the whole performance will lock in.

  • Brian May wrote the song and plays it in E Standard tuning, so no retuning is needed before you start.
  • The rhythm guitar relies on percussive, muted chord stabs, making right-hand technique as important as fretting accuracy.
  • May's lead work features his trademark vibrato and string bends, best practised by looping the solo section at reduced speed.

How to Play I Want It

Tuning: E Standard · Key: A major · Tempo: 104 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 104 BPM to build it up to tempo.

Vox AC30
Amp

Vox AC30

Brian May stacks Vox AC30s cranked to full volume, letting natural tube breakup and the Top Boost channel create the chimey, harmonically rich overdrive that defines Queen's sound. Driven hard by a treble booster rather than pedal distortion, these amps deliver the compressed, singing tone central to May's signature style.

Boss DD-3 Digital Delay
Pedal

Boss DD-3 Digital Delay

May uses digital delay as a live equivalent to the tape echo (Echoplex) he favored in the studio, adding subtle spatial depth to his solos without cluttering his famously minimal effects chain. The DD-3 provides clean, repeating echoes that complement his vocal-like tone without compromising the directness of his treble booster-driven AC30 sound.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)