Queen - I Want It - Guitar Tab

Practice Studio

Queen - I Want It - Guitar Tab

Sections · Loop · Speed · Metronome

Not in tune?

Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Key A major
·
–50¢ 0 +50¢
· Tap to start

Your browser will ask for microphone permission.

Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

The Miracle (Deluxe Remastered Version) album cover
The Miracle (Deluxe Remastered Version)
1989 4:02
Queen Funk Rock 1989 A major
Capo Advisor 0 A major · Original key

I Want It


"I Want It All" by Queen is a hard-driving rock track from the band's 1989 studio album, The Miracle. Written and performed by guitarist Brian May, the song showcases his signature layered guitar work and powerful riff-based songwriting. Released as the album's lead single, it became an international hit and remains a rewarding challenge for electric guitarists looking to study May's distinctive tone, phrasing, and use of the Red Special guitar.

  • Brian May wrote 'I Want It All' — studying it reveals his layered rhythm and lead guitar approach within a single track.
  • The song reached number three in the UK singles chart upon its release as the first single from The Miracle in May 1989.
  • Produced by David Richards, the track's guitar tone reflects May's homemade 'Red Special' guitar run through his treble-booster and AC30 amp setup.
Vox AC30
Amp

Vox AC30

Brian May stacks Vox AC30s cranked to full volume, letting natural tube breakup and the Top Boost channel create the chimey, harmonically rich overdrive that defines Queen's sound. Driven hard by a treble booster rather than pedal distortion, these amps deliver the compressed, singing tone central to May's signature style.

Boss DD-3 Digital Delay
Pedal

Boss DD-3 Digital Delay

May uses digital delay as a live equivalent to the tape echo (Echoplex) he favored in the studio, adding subtle spatial depth to his solos without cluttering his famously minimal effects chain. The DD-3 provides clean, repeating echoes that complement his vocal-like tone without compromising the directness of his treble booster-driven AC30 sound.