Practice Studio

Pink Floyd - Shine On You Crazy Diamond part II - Guitar Solo Tab

Sections · Loop · Speed · Metronome

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Speed Control

Speed
100%

Tools

BPM
Key G minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Capo Advisor 0 G minor · Original key

About Shine On You Crazy Diamond part II


Few pieces in the Progressive Rock canon ask a guitarist to sit so patiently and so precisely at the same time. "Shine On You Crazy Diamond Part II" is built around slow, carefully voiced chords and atmosphere in G minor, and the challenge is not speed but control: every note needs room to breathe, and rushing even slightly collapses the mood the piece depends on. At 120 BPM the pulse feels generous, but holding back and landing notes exactly on the beat without any nervous over-picking is harder than it sounds. David Gilmour's melodic phrasing throughout this section is a study in restraint, with wide vibrato and long sustain doing the expressive work that most players try to handle with extra notes. In standard E tuning, the chord voicings are approachable, but getting the tone and touch right takes focused repetition. Use the Practice Toolbar to loop the transitions between sections slowed down, so your fretting hand can find the shapes cleanly before you bring the tempo back up. Pink Floyd rewards the kind of slow, deliberate practice that this tool is built for.

  • The piece sits in G minor, so understanding minor pentatonic and natural minor scale positions is essential for following Gilmour's melodic lines.
  • Wide, slow vibrato is the defining technique here: practise applying it evenly on sustained notes before attempting the full passage.
  • Standard E tuning is used, making the chord shapes accessible, but clean execution at a controlled 120 BPM requires careful pick-hand discipline.

How to Play Shine On You Crazy Diamond part II

Tuning: E Standard · Key: G minor · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Gilmour's 1969 Black Strat is his primary instrument, offering glassy neck pickup tones perfect for his singing bends and the warm, rounded character that defines Pink Floyd's melodic solos without harsh brightness.

Fender Telecaster
Guitar

Fender Telecaster

This workhorse guitar provided Gilmour with a brighter, more cutting tone for rhythm work and alternative textures, offering the snap and clarity needed for Pink Floyd's diverse sonic palette across studio and live performances.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Gilmour's 1955 Les Paul Goldtop, fitted with original P-90 pickups, delivers the thick, gritty midrange essential for iconic solos like Comfortably Numb's outro, providing tonal weight and sustain that Strats cannot match.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

Though less documented than the Goldtop, this model would offer similar thick, sustained tones with enhanced versatility through multiple pickup switching, supporting Gilmour's need for varied textures within complex Pink Floyd arrangements.

Fender Twin Reverb
Amp

Fender Twin Reverb

Gilmour used Twin Reverbs for their exceptional clean headroom and built-in reverb, creating spacious, shimmering textures that complement his delay-heavy effects chain and define Pink Floyd's atmospheric, three-dimensional soundscapes.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

The Cry Baby opens Gilmour's effects chain, allowing expressive vocal-like phrasing on solos, integral to Pink Floyd's emotional delivery and creating dynamic dynamic tonal sweeps that enhance the band's psychedelic and progressive character.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)