Practice Studio

Megadeth - The Conjuring Part I - Guitar Tab

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Key E minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Megadeth Thrash Metal E minor
Capo Advisor 0 E minor · Original key

About The Conjuring Part I


Few thrash tracks from 1986 demand as much from both hands as this one. Megadeth built "The Conjuring Part I" around sharp, angular riffing in E minor that sits comfortably at 120 BPM, fast enough to punish sloppy alternate picking but not so brutal that the note choices get lost. The real challenge is keeping your fretting hand clean through the rhythm sections, where muted low-E passages shift quickly into full chord stabs. Dave Mustaine's lead phrasing leans heavily on chromatic runs and string-skipping ideas that can feel awkward at first, so isolate those moments and use the Practice Toolbar to loop them slowed down until the fingering becomes automatic. Thrash Metal rhythm playing like this rewards a tight picking attack close to the bridge, so pay attention to your right-hand position throughout. E Standard tuning means no retuning required, but the low-end aggression of the riffs still asks for solid palm-muting control.

  • The rhythm riffs rely on tight palm-muted alternate picking in E Standard, so a consistent right-hand technique close to the bridge is essential.
  • Chromatic passing notes appear frequently in the lead and rhythm parts, making clean fretting-hand finger placement a key thing to practise.
  • At 120 BPM the song sits at a tempo where every sloppy note is audible, so use looping it slowed down to build accuracy before going full speed.

How to Play The Conjuring Part I

Tuning: E Standard · Key: E minor · Tempo: 156 BPM

Loop the hardest passage and creep the speed up from around 70 percent until it holds at 156 BPM.

Gibson Flying V
Guitar

Gibson Flying V

Dave Mustaine's current signature Flying V delivers the V-shaped body geometry essential for accessing upper frets on his complex spider-chord voicings and fast lead lines. The guitar's thin, fast neck profile and fixed bridge provide the tuning stability and articulation Megadeth's precise, aggressive riffing demands.

Marshall JCM800
Amp

Marshall JCM800

Mustaine built Megadeth's signature razor-sharp, scooped-mid tone on Marshall JCM800s, with gain around 7-8 to retain pick dynamics and articulation under heavy palm-muting. The amp's responsive tube saturation transforms hot pickups into the controlled, fast low-end aggression that defines thrash metal rhythm tones.

DigiTech Whammy
Pedal

DigiTech Whammy

Marty Friedman used the Digitech Whammy as a lead accent tool, adding pitch-shifting texture to solos without cluttering Megadeth's minimalist effects philosophy. The pedal's harmonic richness complemented his warm, vocal-like Seymour Duncan humbucker tone during the band's classic era.

ISP Decimator Noise Gate
Pedal

ISP Decimator Noise Gate

The ISP Decimator is essential for Mustaine's high-gain thrash setup, eliminating feedback and noise between palm-muted riffs without compromising sustain. This noise gate allows him to push the Marshall into aggressive saturation while maintaining the tight, articulate attack Megadeth's complex rhythms require.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)