Practice Studio

Megadeth - Mary Jane - Guitar Tab

Sections · Loop · Speed · Metronome

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Select a Loop

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End of your loop

Speed Control

Speed
100%

Tools

BPM
Key E minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

So Far, So Good...So What! album cover
So Far, So Good...So What!
1988 4:25
Capo Advisor 0 E minor · Original key

About Mary Jane


From the 1988 album "So Far, So Good...So What!", "Mary Jane" is one of the more unsettling tracks Megadeth ever recorded, and that uneasy quality comes through in the guitar work from the very first notes. The riff writing leans on chromatic movement and dissonant intervals that feel slippery under the fingers, so getting them clean at tempo takes real focus. E minor gives the low strings a lot of natural weight, and exploiting open-string resonance against fretted notes is part of what makes the main riffs feel so heavy. The song shifts between grinding mid-tempo chug sections and faster melodic runs, which means your left-hand muting discipline has to stay switched on throughout. The lead playing involves rapid position shifts and bends that can catch you off guard the first few times. Pick out the trickiest transition and use the Practice Toolbar to loop it slowed down until the fingering feels automatic before bringing it back up to speed.

  • The riffs rely heavily on chromatic, semitone-step movement in E minor, so clean fretting and consistent pick attack are the main technical challenges.
  • Tight palm muting is essential during the chug sections, since any slippage in muting technique quickly blurs the rhythmic groove.
  • Use the Practice Toolbar to isolate the lead breaks and slow them down, as the position shifts happen faster than they first appear.

How to Play Mary Jane

Key: E minor · Tempo: 144 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 144 BPM to build it up to tempo.

Gibson Flying V
Guitar

Gibson Flying V

Dave Mustaine's current signature Flying V delivers the V-shaped body geometry essential for accessing upper frets on his complex spider-chord voicings and fast lead lines. The guitar's thin, fast neck profile and fixed bridge provide the tuning stability and articulation Megadeth's precise, aggressive riffing demands.

Marshall JCM800
Amp

Marshall JCM800

Mustaine built Megadeth's signature razor-sharp, scooped-mid tone on Marshall JCM800s, with gain around 7-8 to retain pick dynamics and articulation under heavy palm-muting. The amp's responsive tube saturation transforms hot pickups into the controlled, fast low-end aggression that defines thrash metal rhythm tones.

DigiTech Whammy
Pedal

DigiTech Whammy

Marty Friedman used the Digitech Whammy as a lead accent tool, adding pitch-shifting texture to solos without cluttering Megadeth's minimalist effects philosophy. The pedal's harmonic richness complemented his warm, vocal-like Seymour Duncan humbucker tone during the band's classic era.

ISP Decimator Noise Gate
Pedal

ISP Decimator Noise Gate

The ISP Decimator is essential for Mustaine's high-gain thrash setup, eliminating feedback and noise between palm-muted riffs without compromising sustain. This noise gate allows him to push the Marshall into aggressive saturation while maintaining the tight, articulate attack Megadeth's complex rhythms require.

Solo (Backing Track)

Solo (Backing Track)