Iron Maiden - 22 Acacia Avenue Dave Murray's - Guitar Tab

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Iron Maiden - 22 Acacia Avenue Dave Murray's - Guitar Tab

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22 Acacia Avenue Dave Murray's


"22 Acacia Avenue" is a track by Iron Maiden appearing on their third studio album, The Number of the Beast, released in 1982. The album marked the debut of vocalist Bruce Dickinson and showcased the band's evolving twin-guitar approach. For electric guitar players, the song is a strong study in the classic Iron Maiden style, featuring melodic riffing, galloping rhythms, and the interplay between guitarists that defines the band's signature sound.

  • The Number of the Beast was released in March 1982, making '22 Acacia Avenue' over four decades old and still a metal guitar staple.
  • The song is credited to Dave Murray, Iron Maiden's long-serving guitarist, highlighting his role as a primary songwriter on the album.
  • The Number of the Beast was Bruce Dickinson's first studio recording with Iron Maiden, giving the album a notably powerful vocal backdrop for guitarists to work against.
Fender Stratocaster
Guitar

Fender Stratocaster

Iron Maiden's signature choice for heavy metal, the Strat's bright single-coils in neck and middle positions deliver the glassy, articulate tone that defines their melodic passages. Dave Murray and Adrian Smith pair bridge humbuckers with this platform to preserve pick dynamics and note definition rather than drowning in compressed gain.

Marshall JCM800
Amp

Marshall JCM800

The backbone of Maiden's iconic sound, the JCM800's moderate gain structure lets the power tubes sing without preamp saturation, preserving the punch and harmonic clarity that makes their riffs cut through a mix. Murray and Smith set gain moderately to maintain definition while pushing the amp into natural tube breakup.

Seymour Duncan JB
Pickup

Seymour Duncan JB

Adrian Smith's weapon of choice, the JB's balanced output drives Marshall amps into singing sustain without over-compressing dynamics, allowing his lead lines to breathe with clarity and snap. This moderate-output humbucker maintains the attack and articulation essential to Maiden's punchy, defined metal tone.

DiMarzio Super Distortion
Pickup

DiMarzio Super Distortion

Dave Murray's bridge pickup at 13k output strikes the perfect balance, hitting the Marshall hard enough for thick sustain yet retaining enough dynamics for expressive bending and harmonic control. It's hot enough to sing but not so overwound that it flattens the natural Strat character underneath.

Boss SD-1 Super Overdrive
Pedal

Boss SD-1 Super Overdrive

Murray and Smith use this clean boost to push their Marshalls harder during solos, adding aggression without relying on pedal distortion, keeping the tube amp saturation as the true tone source. The SD-1 preserves their natural playing dynamics while giving leads extra presence and cut.

ISP Decimator Noise Gate
Pedal

ISP Decimator Noise Gate

Smith occasionally employs this noise gate to manage feedback and hum from his high-output rig without sacrificing sustain, staying true to Maiden's philosophy of minimal pedal intervention. It's a practical tool for live performance that doesn't color the natural tube amp tone.

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