Practice Studio

At the Gates - Into the Dead Sky - Guitar Tab

Sections · Loop · Speed · Metronome

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Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

About Into the Dead Sky


D Standard tuning sits a whole step down from concert pitch, and at 120 BPM "Into the Dead Sky" sits in a mid-tempo pocket that can feel deceptively manageable until you notice how much the riffs rely on consistent palm muting and tight left-hand control. At the Gates were still shaping their sound in the early years, and this track carries the raw, churning quality of early Death Metal: heavily downtuned power chords, aggressive picking attack, and transitions that need to lock in cleanly or the whole arrangement falls apart. The lower string tension in D Standard means your pick attack has more room to get sloppy, so keeping your muted sections percussive and even is the main technical challenge. Use the Practice Toolbar to loop any riff transition slowed down and get the muting pattern solid before bringing it back up to full speed. Focus especially on the picking hand, since accuracy there is what separates a muddy run-through from a tight, controlled performance.

  • Playing in D Standard lowers all six strings by a whole step, giving the riffs a heavier, darker character while requiring extra attention to consistent palm muting.
  • At 120 BPM the song sits at a mid-tempo pace, but clean chord transitions and precise pick attack are still essential throughout.
  • Tight downpicking stamina is the key technique to develop here, as letting the picking hand get lazy will quickly muddy the downtuned riffs.

How to Play Into the Dead Sky

Tuning: D Standard · Tempo: 120 BPM

Tuned a whole step down to D standard, the lower string tension makes bends feel looser, so keep an eye on your intonation.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Mesa/Boogie Dual Rectifier
Amp

Mesa/Boogie Dual Rectifier

At The Gates uses the Dual Rectifier for live performances, delivering the aggressive low-end punch and sustain needed for downtuned Gothenburg riffs. Its tight response complements the band's stop-start tremolo-picked dynamics without losing clarity in the mix.

Peavey 5150
Amp

Peavey 5150

Anders Björler's primary amp choice, the 5150's lead channel with high-but-controlled gain creates the articulate, compressed attack that defines 'Slaughter of the Soul.' Its scooped midrange lets fast riffs cut through while maintaining the signature Gothenburg clarity.

EMG 81
Pickup

EMG 81

The EMG 81 in At The Gates' bridge position delivers the tight, aggressive attack essential for tremolo-picked lines under heavy distortion. Its active electronics pair perfectly with the Peavey 5150's input stage, preserving note definition in fast, complex riffing.

ISP Decimator Noise Gate
Pedal

ISP Decimator Noise Gate

An ISP Decimator noise gate is critical for At The Gates' precise, stop-start riff dynamics, keeping the high-gain signal clean between rapid articulations. Without it, their signature fast-switching patterns would blur into a muddy haze.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)