Practice Studio

Joe Satriani - Flying in a Blue Dream - Guitar Solo Tab

Sections · Loop · Speed · Metronome

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Speed
100%

Tools

BPM
Key G major
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Flying In a Blue Dream album cover
Flying In a Blue Dream
1989 5:22
Capo Advisor 0 G major · Original key

About Flying in a Blue Dream


Few guitar pieces balance raw emotion with technical demand quite like this one. Joe Satriani wrote it as a tribute to his late father, and that grief comes through in the long, singing lead lines that sit at the heart of the track. In G major and E Standard tuning at 120 BPM, the tempo is comfortable enough that your fingers can breathe, but the challenge is in making every note speak with real feeling rather than just hitting the pitches cleanly. The signature melodic phrases ask for controlled vibrato and smooth legato technique, particularly in the higher register where small inaccuracies are exposed immediately. Getting the tone right matters too: a warm, sustain-heavy lead sound helps the notes bloom the way they need to. Use the Practice Toolbar to loop the longer melodic runs slowed down until your picking hand and fretting hand are perfectly in sync before bringing it back up to tempo. This is as much an exercise in phrasing and dynamics as it is in technical facility, and that is what makes it worth the time in Instrumental Rock.

  • The piece sits in G major in E Standard tuning at 120 BPM, giving the long melodic lines enough space to develop without rushing your fretting hand.
  • Controlled vibrato and legato phrasing are the core techniques here, as the vocal-style lead melody demands expressive touch rather than speed.
  • Looping the high-register phrases slowed down with the Practice Toolbar is the most effective way to lock in smooth string transitions before playing at full tempo.

How to Play Flying in a Blue Dream

Tuning: E Standard · Key: G major · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Marshall JCM800
Amp

Marshall JCM800

Satriani's early foundation amp, the JCM800 delivered the aggressive crunch and natural tube breakup essential to his 1980s instrumental rock sound on classics like 'Surfing with the Alien.' Its responsive gain structure shaped his initial lead tone before transitioning to higher-wattage rigs.

Soldano SLO-100
Amp

Soldano SLO-100

The SLO-100's tight, articulate distortion and supreme headroom allowed Satriani to achieve singing lead tones with exceptional clarity and note definition during his early touring years. This amp's transparency made every nuance of his phrasing and vibrato audible at stadium volumes.

Boss DS-1 Distortion
Pedal

Boss DS-1 Distortion

Satriani's modded DS-1 stacks with his amp's natural saturation to add aggressive midrange punch and sustain for fluid lead passages and shredding sections. The pedal's simplicity lets him focus on dynamics and technique rather than dialing in tone.

DigiTech Whammy
Pedal

DigiTech Whammy

The Whammy enables Satriani's signature harmonic effects and pitch-shifted lead lines, creating otherworldly textures that complement his ambient, melodic approach to instrumental composition. It's essential for his arsenal of experimental soloing techniques.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)