Practice Studio

Nirvana - Where Did You Sleep Last Night - Guitar Lesson

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Key E minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

MTV Unplugged In New York (Live Acoustic) album cover
MTV Unplugged In New York (Live Acoustic)
1994 5:06
Capo Advisor 0 E minor · Original key

About Where Did You Sleep Last Night


Few performances capture raw tension quite like Nirvana's take on this old folk standard from their 1994 MTV Unplugged set. The song is in Open G tuning, which shifts your whole relationship with the fretboard, so if you normally play in standard, budget some time just getting comfortable with the chord shapes before worrying about anything else. The key of E minor gives the progression a genuinely dark, unresolved feel, and matching that mood with your right hand is half the battle. At 170 BPM the strumming pattern moves faster than the sparse arrangement might suggest, and keeping it controlled rather than frantic is where most players slip up. The climactic outro, where the intensity builds hard, is worth isolating in the Practice Toolbar slowed down so you can lock in the picking attack and string muting before bringing it back to tempo. This is Alternative Rock built on a folk skeleton, and treating it with that stripped-back honesty is the key to making it land.

  • The song is played in Open G tuning, meaning all six strings need to be retuned before you start, and chord voicings differ significantly from standard tuning.
  • Controlled right-hand dynamics are critical here: the arrangement demands quiet, restrained picking in the verses before building to a raw, aggressive strum in the outro.
  • Muting unwanted open strings is the main technical hurdle in Open G, so practise clean chord transitions slowly before attempting the full 170 BPM pace.

How to Play Where Did You Sleep Last Night

Tuning: Open G · Key: E minor · Tempo: 170 BPM

Open G is built for slide and ringing open strings, so expect a fingerstyle or bottleneck approach rather than standard fretting. At 170 bpm it moves fast, so the real test is building picking stamina and keeping every note clean at speed.

Loop the hardest passage and creep the speed up from around 70 percent until it holds at 170 BPM.

Fender Stratocaster
Guitar

Fender Stratocaster

Cobain used the Stratocaster on several Nevermind tracks, leveraging its bright single-coils to cut through dense arrangements. Though less iconic than his Mustang, the Strat provided tonal clarity for melodic passages within Nirvana's heavy sonic framework.

Fender Twin Reverb
Amp

Fender Twin Reverb

Cobain deployed the Twin Reverb's clean headroom and natural breakup for softer verses and intros, creating dynamic contrast against his saturated Mesa preamp tones. The amp's warm response complemented his sparse, dry-focused signal chain.

DiMarzio Super Distortion
Pickup

DiMarzio Super Distortion

Cobain swapped DiMarzio humbuckers into his Jaguars and Mustangs to fatten their typically bright single-coils, pushing harder into his Mesa preamp for compressed, fuzzy sustain. This high-output bridge pickup was essential to Nirvana's thick, aggressive midrange distortion.

Boss DS-1 Distortion
Pedal

Boss DS-1 Distortion

The DS-1 functioned as Cobain's heavy-hitting boost pedal, slamming the front end of his already-overdriven Mesa preamp to intensify saturation during explosive chorus sections. Its gritty character helped define Nirvana's raw, in-your-face distortion tone.

Electro-Harmonix Small Clone
Pedal

Electro-Harmonix Small Clone

Cobain's signature chorus voice, heard prominently on Come As You Are and clean passages of Smells Like Teen Spirit, added subtle wobble and width. The Small Clone's lush modulation provided dynamic relief against his otherwise aggressive, compressed overdriven tones.