Practice Studio

Queen - Under Pressure - Guitar Lesson

Sections · Loop · Speed · Metronome

Not in tune?

Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Key D major
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· Tap to start

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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Queen Funk Rock D major
Capo Advisor 0 D major · Original key

About Under Pressure


That descending bassline is the heart of "Under Pressure," and on guitar your first job is understanding how it drives the whole arrangement. Playing in D major at 120 BPM in E Standard tuning, the song sits in a comfortable range, but locking in with the groove is trickier than it looks. The Funk Rock feel demands tight rhythmic control: the chords need to sit right on the beat without rushing, and the dynamic contrast between the sparse verses and the fuller chorus sections requires real restraint. Queen and David Bowie build tension through feel rather than flashy technique, so your focus should be on tone and timing rather than speed. The chorus chord changes are straightforward, but getting the strumming pattern to breathe correctly takes some work. Use the Practice Toolbar to loop the verse sections slowed down until the rhythm feels completely natural before bringing it back up to tempo.

  • The signature four-note descending bass figure can be adapted to guitar and is a great exercise in playing a simple motif with consistent tone and timing.
  • At 120 BPM in E Standard tuning and D major, the chord shapes are accessible, but the funk-influenced rhythmic feel requires careful attention to strumming dynamics.
  • Practising the verse sections with the Practice Toolbar looped and slowed down helps you nail the restrained, behind-the-beat groove before playing at full tempo.

How to Play Under Pressure

Tuning: E Standard · Key: D major · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Vox AC30
Amp

Vox AC30

Brian May stacks Vox AC30s cranked to full volume, letting natural tube breakup and the Top Boost channel create the chimey, harmonically rich overdrive that defines Queen's sound. Driven hard by a treble booster rather than pedal distortion, these amps deliver the compressed, singing tone central to May's signature style.

Boss DD-3 Digital Delay
Pedal

Boss DD-3 Digital Delay

May uses digital delay as a live equivalent to the tape echo (Echoplex) he favored in the studio, adding subtle spatial depth to his solos without cluttering his famously minimal effects chain. The DD-3 provides clean, repeating echoes that complement his vocal-like tone without compromising the directness of his treble booster-driven AC30 sound.