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Lynyrd Skynyrd - Tuesday's Gone - Guitar Lesson

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Key E major
Lynyrd Skynyrd - Tuesday's Gone guitar lesson video
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Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.
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Lynyrd Skynyrd Classic Rock E major
Capo Advisor 0 E major · Original key

About Tuesday's Gone

At 72 BPM, "Tuesday's Gone" sits in a slow, rolling groove that rewards patience more than speed. The song is played in Open G tuning, which reshapes your chord shapes and opens up resonant, ringing voicings that standard tuning simply won't give you. Spend time relearning where your E major tonality lives on the neck in this tuning before you try to push through the full arrangement. The signature guitar work here leans heavily on smooth, unhurried melodic phrasing, and the interplay between the parts is where the real challenge hides. Getting those sustained notes to ring cleanly and transition without rushing the tempo is harder than it looks at this pace. Use the Practice Toolbar to loop any phrase slowed down while you build the muscle memory for clean open-string transitions. Lynyrd Skynyrd were already showing their gift for layered, relaxed Classic Rock guitar on this 1973 debut album track, and that layering is worth studying closely.

  • Played in Open G tuning, so standard chord shapes won't apply and you'll need to remap familiar E major voicings before tackling the arrangement.
  • The slow 72 BPM tempo is deceptively demanding, as sustained notes and smooth phrase transitions are harder to control at a relaxed pace.
  • The song features multiple interlocking guitar parts, so isolating each layer with the Practice Toolbar before combining them is a practical approach.

How to Play Tuesday's Gone

Tuning: Open G · Key: E major · Tempo: 72 BPM

Open G is built for slide and ringing open strings, so expect a fingerstyle or bottleneck approach rather than standard fretting. At 72 bpm the slow tempo leaves every note exposed, so timing, vibrato, and dynamics matter more than raw speed.

Loop each section and focus on clean, even timing rather than speed, with the metronome at 72 BPM.

Fender Stratocaster
Guitar

Fender Stratocaster

Ed King wielded this bright, single-coil voiced guitar on 'Sweet Home Alabama' to cut through Skynyrd's thick humbucker wall with sparkling clarity and snap. Its tonal contrast against Rossington and Collins' darker Les Paul and Explorer provided essential width and separation in the band's legendary three-guitar blend.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Gary Rossington's 1959 'Berniece' delivered the warm, sustaining foundation of Skynyrd's sound through its original PAF humbuckers and mahogany body, producing fat tones with clear note definition even under heavy amp gain. This guitar became Rossington's voice, defining tracks like 'Free Bird' with its glassy, dynamic character.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

While not explicitly Rossington's primary choice, the Les Paul Custom shares the same PAF-era humbucker warmth and sustain that defines Skynyrd's core rhythm and lead tones. Its slightly higher-output pickups would maintain the band's rich, mahogany-driven character across their catalog.

Gibson Explorer
Guitar

Gibson Explorer

Allen Collins grabbed the Explorer's aggressive midrange and cutting humbucker bite to slice through Skynyrd's dense three-guitar mix with sharp, confrontational lead lines. Its set-neck construction and thick tone complemented rather than duplicated Rossington's Les Paul, giving Collins a distinct voice within the band.

Fender Twin Reverb
Amp

Fender Twin Reverb

Rossington switched to this amp for cleaner tones and slide work, exploiting its glassy headroom and natural spring reverb to achieve shimmering, ethereal textures on ballads. The Twin's breakup characteristics provided a sonic contrast to the thick Peavey overdrive, essential for Skynyrd's dynamic range.

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