The Moody Blues - Nights In White Satin - Guitar Lesson

Practice Studio

The Moody Blues - Nights In White Satin - Guitar Lesson

Sections · Loop · Speed · Metronome

Not in tune?

Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Key E minor
·
–50¢ 0 +50¢
· Tap to start

Your browser will ask for microphone permission.

Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

The Moody Blues Rock E minor
Capo Advisor 0 E minor · Original key

Nights In White Satin


"Nights In White Satin" is a sweeping orchestral rock ballad by The Moody Blues, written by guitarist Justin Hayward and first released as a single in 1967. It appeared on the concept album Days of Future Passed as part of the segment "The Night." For electric guitarists, the song offers a study in melodic, restrained lead playing and lush chord work that blends rock sensibility with classical arrangement, making it a rewarding piece to interpret on guitar.

  • Justin Hayward wrote the song shortly after joining The Moody Blues, marking a significant shift in the band's musical direction.
  • On its 1967 UK release, the single reached number 19 on the UK Singles Chart and number 103 in the United States.
  • The song replaced departing members Denny Laine and Clint Warwick's era, introducing Hayward and John Lodge as the band's new creative core.
Gibson ES-335
Guitar

Gibson ES-335

Justin Hayward's 1963 ES-335 semi-hollow body produces the warm, resonant tone foundational to The Moody Blues' lush atmospheric sound, with its natural sustain and PAF humbuckers allowing dynamic response from clean arpeggios to gently overdriven leads.

Vox AC30
Amp

Vox AC30

The Vox AC30's chime, natural compression, and rich harmonic character create The Moody Blues' signature clean-to-lightly-breaking-up British tone, perfectly complementing Hayward's semi-hollow guitar without the heavy distortion that would muddy their reverb-heavy, atmospheric passages.