Practice Studio

The Church - Under The Milky Way - Guitar Lesson

Sections · Loop · Speed · Metronome

Not in tune?

Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Key A minor
·
–50¢ 0 +50¢
· Tap to start

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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Capo Advisor 0 A minor · Original key

About Under The Milky Way


Few songs in Alternative Rock lean so heavily on atmosphere, and on guitar that atmosphere lives almost entirely in the arpeggiated chord work that opens and runs through the song. Playing it well means resisting the urge to strum: the picking pattern needs to stay clean, even, and unhurried at 96 BPM, letting each note ring into the next. In A minor and standard tuning, the chord shapes themselves are not exotic, but keeping the pick attack consistent across a full performance is where most players slip. The verse and chorus figures sit in a similar register, so tone and dynamics do most of the work in separating them. The Church built the whole piece on restraint, and that is exactly what the guitar part demands from you. Use the Practice Toolbar to loop the opening arpeggio figure slowed down until the picking hand feels automatic before you bring it up to tempo.

  • The signature guitar part is an arpeggiated picking pattern, not strummed chords, so right-hand consistency is the main technical challenge.
  • Playing in A minor on a standard-tuned guitar, the chord shapes are relatively approachable, but smooth voice leading between them requires careful fingering.
  • Practise the recurring arpeggio figure in short loops using the Practice Toolbar to lock in the picking pattern before adding dynamics and feel.

How to Play Under The Milky Way

Tuning: E Standard · Key: A minor · Tempo: 96 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 96 BPM to build it up to tempo.

Fender Jazzmaster
Guitar

Fender Jazzmaster

Peter Koppes' primary instrument delivers the bright, articulate single-coil jangle essential to The Church's layered textures. Its natural clarity and wide neck spacing enabled the fingerstyle precision that cuts through their intricate arrangements without muddiness.

Fender Twin Reverb
Amp

Fender Twin Reverb

The Twin Reverb's 85-watt clean headroom and built-in spring reverb became the sonic foundation of The Church's spacious, floating aesthetic. Koppes recorded by routing the amp directly into the mixing desk, capturing the reverb tank's saturation while preserving clarity in multi-tracked arrangements.

Boss DD-3 Digital Delay
Pedal

Boss DD-3 Digital Delay

The DD-3 provided The Church with repeatable, tape-like delay trails that shaped their spatial, dreamy sound alongside the Twin Reverb's reverb. This minimal effects approach kept focus on the guitars' natural dynamics and arrangement choices rather than heavy processing.