Practice Studio

Styx - Renegade - Guitar Lesson

Sections · Loop · Speed · Metronome

Not in tune?

Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Key E minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Styx Progressive Rock E minor
Capo Advisor 0 E minor · Original key

About Renegade


Few hard rock songs hit as hard on guitar as "Renegade" by Styx, pulled from their 1979 album Pieces of Eight. The song sits in E minor at a steady 120 BPM in standard tuning, which keeps things approachable technically while still demanding real commitment from your picking hand. The driving, galloping rhythm part is the backbone of the whole track, and locking it in with the right attack and consistency is where most players need to focus first. The descending E minor riff that kicks the song off is deceptively simple to read but needs a confident, aggressive tone to land the way it does on the record. Getting the feel right matters more than speed here, so use the Practice Toolbar to loop that opening figure slowed down until the pick attack and muting feel natural. Once the rhythm is solid, the interplay between melody and chord movement in the verses opens up as a genuinely satisfying part to dig into. Progressive Rock phrasing rewards patience, and this song is a clear example of why.

  • The song is in E minor with standard tuning, so no retuning is needed and the open low E string gives the main riff its characteristic weight.
  • The galloping rhythm part requires consistent alternate picking and tight palm muting to capture the driving feel the track is built around.
  • At 120 BPM the tempo is moderate, but keeping pick attack even across the whole song is the real challenge most guitarists underestimate.

How to Play Renegade

Tuning: E Standard · Key: E minor · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Fender Telecaster
Guitar

Fender Telecaster

Tommy Shaw's primary studio guitar, its bright single-coil snap and midrange bite cut through JY Young's Marshall wall while providing tonal contrast. The Telecaster's articulate definition was essential for Styx's layered arrangements and clean passages.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Shaw deployed this darker humbucker platform on heavier Styx tracks, offering midrange punch and sustain when he needed to match JY Young's power without sacrificing his signature clarity and control.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

JY Young's 1969 Black Beauty with three humbuckers defined Styx's thick, sustain-rich tone, delivering the dark, midrange-heavy foundation that anchored the band's most powerful moments through his Marshall stack.

Marshall JCM800
Amp

Marshall JCM800

Young's preferred amp platform, cranked for natural power tube saturation with mids emphasized around 7 to create the warm, crushing tone that became synonymous with Styx's heavier arrangements and solos.

Fender Twin Reverb
Amp

Fender Twin Reverb

Shaw's clean amp choice that kept his Telecaster tone sparkling and defined, providing the pristine platform he needed to add chorus and subtle effects without losing articulation against Young's crunch.

MXR Phase 90
Pedal

MXR Phase 90

Young occasionally deployed this modulation effect to add subtle movement and depth to specific passages, enhancing the Les Paul's sustain while maintaining the minimal effects philosophy that defined Styx's organic, hand-dependent tone.