Practice Studio

Joe Satriani - Joe Satriani - Tapping Section & Outro - Guitar Lesson

Sections · Loop · Speed · Metronome

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Speed
100%

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BPM
Key E minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Surfing with the Alien album cover
Surfing with the Alien
1987 3:14
Capo Advisor 0 E minor · Original key

About Joe Satriani - Tapping Section & Outro


The tapping section and outro from "Surfing with the Alien" sits at the technical heart of one of Joe Satriani's most celebrated Instrumental Rock records. Running at 120 BPM in E minor and standard tuning, the passage demands clean two-handed tapping with precise synchronisation between your fretting and picking hands. The real challenge is not the speed itself but keeping each tapped note even in volume, because any imbalance in finger pressure gets exposed without a vocalist covering it. The outro pushes that further, requiring smooth position shifts while maintaining the legato feel that defines Satriani's style. Start by mapping out which fingers handle which notes before you attempt it at tempo. Use the Practice Toolbar to loop the tapping run slowed right down, building muscle memory in small segments before stitching them together. Getting the muting right with your picking-hand palm is equally important so unused strings stay quiet throughout.

  • Two-handed tapping is the core technique required, demanding even finger pressure from both hands to keep notes balanced in volume.
  • The section sits in E minor at 120 BPM in standard E tuning, so no retuning is needed before you start.
  • Practising the tapping run in short looped segments slowed down is the most effective way to build the coordination this passage requires.

How to Play Joe Satriani - Tapping Section & Outro

Tuning: E Standard · Key: E minor · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Marshall JCM800
Amp

Marshall JCM800

Satriani's early foundation amp, the JCM800 delivered the aggressive crunch and natural tube breakup essential to his 1980s instrumental rock sound on classics like 'Surfing with the Alien.' Its responsive gain structure shaped his initial lead tone before transitioning to higher-wattage rigs.

Soldano SLO-100
Amp

Soldano SLO-100

The SLO-100's tight, articulate distortion and supreme headroom allowed Satriani to achieve singing lead tones with exceptional clarity and note definition during his early touring years. This amp's transparency made every nuance of his phrasing and vibrato audible at stadium volumes.

Boss DS-1 Distortion
Pedal

Boss DS-1 Distortion

Satriani's modded DS-1 stacks with his amp's natural saturation to add aggressive midrange punch and sustain for fluid lead passages and shredding sections. The pedal's simplicity lets him focus on dynamics and technique rather than dialing in tone.

DigiTech Whammy
Pedal

DigiTech Whammy

The Whammy enables Satriani's signature harmonic effects and pitch-shifted lead lines, creating otherworldly textures that complement his ambient, melodic approach to instrumental composition. It's essential for his arsenal of experimental soloing techniques.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)