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Randy Rhoads - Live "Tribute" Guitar Solo Lesson - Guitar Lesson

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Classic Rock

Gain6
Bass6
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

About Live "Tribute" Guitar Solo Lesson


Few guitar solos from the early 1980s demand as much from a player as the live solo feature captured on the 1982 "Tribute" record by Randy Rhoads. Recorded in Eb Standard, every bend and vibrato sits a half-step low relative to concert pitch, so tune down before you start or nothing will feel right against the recording. The solo moves through classical-influenced runs, wide interval jumps, and a signature blend of Heavy Metal aggression with almost baroque melodic sensibility, which means your picking hand needs to shift between aggressive alternate picking and more deliberate legato passages without losing the pulse. The hardest sections are the fast scalar runs where clarity tends to fall apart at full tempo, and that is exactly where the Practice Toolbar earns its keep: loop those passages slowed down until each note speaks cleanly, then gradually bring the speed back up. Pay close attention to Rhoads's vibrato throughout, because it is wider and slower than most rock players use, and nailing it is what separates a convincing performance from a mechanical copy.

  • The solo is performed in Eb Standard tuning, so drop all six strings a half-step before playing along with the recording.
  • Classical scalar runs and wide interval leaps appear throughout, requiring solid alternate picking technique and careful left-hand position shifts.
  • Rhoads's vibrato is characteristically wide and deliberate, and practising it in isolation is one of the most useful things you can do with this piece.

How to Play Live "Tribute" Guitar Solo Lesson

Tuning: Eb Standard

It is played in Eb standard, a half step down, so tune down before you start or every position and bend will sit a half step sharp against the recording.

Use the section loop to isolate a passage and drop the speed to build each section up to tempo.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

While Randy primarily used a Les Paul Custom, the Standard shares the same tonal DNA with warm, resonant humbuckers that deliver the thick, singing lead tone heard on Blizzard of Ozz.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

Randy's 1974 Les Paul Custom with stock Gibson T-Top humbuckers was his primary studio guitar for Blizzard of Ozz, providing the warm, articulate sustain that cut through Ozzy's mix while maintaining clarity during fast legato passages.

Gibson Flying V
Guitar

Gibson Flying V

Randy's custom Karl Sandoval-built Flying V with 24.75-inch scale and set neck defined his V-shaped aesthetic and enabled rapid upper-fret access, becoming the blueprint for his signature Jackson Randy Rhoads model.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

Randy cranked Marshall 1959 Super Lead heads to push the power tubes into natural saturation, creating harmonic-rich distortion with punch and clarity that became the foundation of his aggressive yet articulate lead tone.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Randy used the Cry Baby wah as a dynamic solo accent, most notably on passages like the intro to 'Mr. Crowley,' adding expressive movement while maintaining the clarity essential to his rapid-fire legato runs.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)