Practice Studio

Rage Against The Machine - Guerrilla Radio - Guitar Lesson

Sections · Loop · Speed · Metronome

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Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Key D minor
PLAY WITH BACKING TRACK
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

The Battle Of Los Angeles album cover
The Battle Of Los Angeles
1999 3:26
Capo Advisor 0 D minor · Original key

About Guerrilla Radio


Few riffs from 1999 hit as hard as the one Tom Morello built for "Guerrilla Radio." It centres on a tight, percussive low-string figure in D minor that locks in with Tim Commerford's bass almost as a single unit, so your picking hand rhythmic precision matters as much as your fretting hand. Morello layers that grunt with his trademark toggle-switch tricks and whammy-pedal manipulation, so if you want the full sonic picture, expect to spend real time on the effects side rather than just chasing the notes. The riff itself is not technically demanding to finger, but nailing the attack, muting, and groove at full tempo is where most players slip up. Use the Practice Toolbar to loop the main riff slowed down until the muting is airtight before you push the speed back up. Rage Against The Machine built the whole track around rhythmic tension, so every note that should be dead needs to be completely dead.

  • The signature riff relies heavily on palm muting and precise pick attack on the low strings, so sloppy muting will immediately undercut the groove.
  • Tom Morello's characteristic toggle-switch and whammy-pedal effects are central to the song's texture, making effects technique as important as fretwork.
  • The riff sits in D minor and is approachable for intermediate players, but matching the locked-in rhythmic feel at full speed is the real challenge.

How to Play Guerrilla Radio

Key: D minor · Tempo: 104 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 104 BPM to build it up to tempo.

Fender Telecaster
Guitar

Fender Telecaster

Tom Morello uses this 1982 Telecaster for RATM's funkier, cleaner rhythm parts, leveraging its bridge humbucker for articulate muting and percussive attack that cuts through dense arrangements.

Marshall JCM800
Amp

Marshall JCM800

The JCM800's punchy midrange and aggressive natural clipping deliver RATM's signature thick, cutting distortion tone while staying tight enough for Morello's dynamic muting and noise experiments.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Morello exploits this wah pedal extensively for funk riffs and half-cocked tonal shaping, creating RATM's signature expressive sweeps and rhythmic articulation that define their groove.

Boss DD-3 Digital Delay
Pedal

Boss DD-3 Digital Delay

Morello uses the DD-3 for rhythmic repeats and spatial effects, adding depth and texture to RATM's complex arrangements without muddying the aggressive distortion tone.

MXR Phase 90
Pedal

MXR Phase 90

This phaser adds occasional swirling modulation to Morello's pedalboard, creating subtle psychedelic textures that enhance RATM's experimental moments without overwhelming their heavy rhythm focus.

DigiTech Whammy
Pedal

DigiTech Whammy

The Whammy pedal enables Morello's signature pitch-shifting, octave drops, and squealing harmonics that define RATM's innovative, experimental noise work and solo textures.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)