Practice Studio

Queen - Another One Bites The Dust - Guitar Lesson

Sections · Loop · Speed · Metronome

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Select a Loop

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End of your loop

Speed Control

Speed
100%

Tools

BPM
Key E minor
PLAY WITH BACKING TRACK
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

The Game (Deluxe Remastered Version) album cover
The Game (Deluxe Remastered Version)
1980 3:35
Queen Rock 1980 E minor
Capo Advisor 0 E minor · Original key

About Another One Bites The Dust


The whole track is built on one of rock's most recognisable bass lines, but guitarists have plenty to work with once you look past it. Brian May locks into a tight, percussive rhythm part in E minor that sits deliberately in the pocket, relying on muted strumming and precise chord stabs rather than flashy lead playing. Getting that clipped, almost funky feel right is harder than it sounds: your picking hand needs to stay controlled and consistent, and any sloppiness in the muting will stick out immediately against the groove. There is also a compact guitar solo that rewards careful attention to phrasing and note choice. Use the Practice Toolbar to loop that solo section slowed down until the bends and timing feel natural at a reduced speed before you bring it back up. Queen built this song around tension and restraint, and matching that discipline in your playing is the real challenge here.

  • The guitar part centres on tight, palm-muted chord stabs in E minor, demanding consistent right-hand muting technique throughout.
  • Brian May's brief solo uses restrained phrasing, making it a good exercise in note choice and controlled string bending.
  • Because the groove is so exposed, any timing drift in the rhythm guitar is immediately audible, so practise with a metronome.

How to Play Another One Bites The Dust

Key: E minor · Tempo: 110 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 110 BPM to build it up to tempo.

Vox AC30
Amp

Vox AC30

Brian May stacks Vox AC30s cranked to full volume, letting natural tube breakup and the Top Boost channel create the chimey, harmonically rich overdrive that defines Queen's sound. Driven hard by a treble booster rather than pedal distortion, these amps deliver the compressed, singing tone central to May's signature style.

Boss DD-3 Digital Delay
Pedal

Boss DD-3 Digital Delay

May uses digital delay as a live equivalent to the tape echo (Echoplex) he favored in the studio, adding subtle spatial depth to his solos without cluttering his famously minimal effects chain. The DD-3 provides clean, repeating echoes that complement his vocal-like tone without compromising the directness of his treble booster-driven AC30 sound.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)