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Poison - Fallen Angel - Guitar Lesson

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Poison - Fallen Angel - Guitar Lesson

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Poison - Fallen Angel guitar lesson video
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Classic Rock

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Open Up And Say . . . Ahh! album cover
Open Up And Say . . . Ahh!
1988 3:58
Listen on Spotify
Poison Glam Metal 1988 D minor
Capo Advisor 0 D minor · Original key

Fallen Angel

"Fallen Angel" is a glam metal track by Poison, released in 1988 as the second single from their second studio album, Open Up and Say... Ahh!. The song reached No. 12 on the Billboard Hot 100 and has since gone gold in the US. For electric guitar players, it offers a solid entry point into late-1980s glam metal rhythm work and melodic lead phrasing typical of Poison's polished, radio-friendly hard rock style.

  • "Fallen Angel" was the only single from Open Up and Say... Ahh! not to reach the top ten on the Billboard Hot 100.
  • The song charted internationally, peaking at No. 21 in Australia and No. 59 on the UK Singles chart.
  • The B-side of the original seven-inch single was "Bad to Be Good," another track from the same album sessions.
Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

C.C. DeVille used the Les Paul Standard in Poison's later years, leveraging its thick body and warm humbucker tones for a heavier, more classic rock foundation. The instrument provided a fatter sustain than his superstrats while maintaining the cutting presence needed to slice through the band's dense arrangements.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

The Les Paul Custom appeared in DeVille's setup during Poison's evolution, offering premium hardware and premium pickups that reinforced his bridge humbucker-driven lead tone with enhanced articulation and sustain. Its weight and construction allowed him to achieve singing, sustained solos while keeping the glam metal edge intact.

Marshall JCM800
Amp

Marshall JCM800

DeVille's signature tone came directly from the JCM800's moderate-high gain voicing, which delivered that saturated yet articulate crunch essential to Poison's Sunset Strip sound. The amp's presence peak kept his leads cutting through the mix without needing excessive gain, letting the guitar's midrange shine through the drums.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

DeVille wielded the Cry Baby Wah as his primary expressive effect, adding vocal-like sweep and movement to lead passages and rhythm accents throughout Poison's glam metal anthems. The pedal's responsive taper complemented his flashy, over-the-top playing style and became a signature element of his soloing voice.

DigiTech Whammy
Pedal

DigiTech Whammy

While not a primary tool in DeVille's original chain, the DigiTech Whammy offered harmonic shifting effects that could enhance his signature whammy bar dive bombs and pitch-bend moments during solos. The pedal's tracking algorithms could layer synth-like tones beneath his squalling leads for added drama.

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