Practice Studio

Pink Floyd - Welcome To The Machine - Guitar Lesson

Sections · Loop · Speed · Metronome

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Select a Loop

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End of your loop

Speed Control

Speed
100%

Tools

BPM
Key E minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Wish You Were Here album cover
Wish You Were Here
1975 7:31
Capo Advisor 0 E minor · Original key

About Welcome To The Machine


Few Pink Floyd tracks expose the guitar player's role as starkly as this one. Written by Roger Waters and built around layers of synthesizers and tape effects, "Welcome to the Machine" leans heavily on atmosphere rather than riffing, which means the acoustic guitar work here is textural and deliberate: arpeggiated or strummed figures that lock into a dense electronic landscape rather than cut through it. Playing in E minor, you have to resist the urge to overplay. The task is to match the brooding, mechanical feel of the track, keeping dynamics controlled and the timing precise. That restraint is harder than it sounds, especially at a consistent low volume. Use the Practice Toolbar to loop the key chord passages slowed down and focus on keeping the pick attack even throughout. Pink Floyd used studio processing on the guitar tones here, so a clean, slightly dark acoustic sound is the right starting point when you sit down to learn this one.

  • The guitar parts are primarily acoustic, sitting low in the mix and serving a textural, atmospheric role rather than carrying a lead melody.
  • Playing in E minor, the chord work is relatively approachable, but maintaining the cold, mechanical dynamic throughout is the real challenge.
  • Because the song is dense with synthesizers and effects, practicing the acoustic guitar parts in isolation can make timing issues much easier to hear and fix.

How to Play Welcome To The Machine

Key: E minor · Tempo: 116 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 116 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Gilmour's 1969 Black Strat is his primary instrument, offering glassy neck pickup tones perfect for his singing bends and the warm, rounded character that defines Pink Floyd's melodic solos without harsh brightness.

Fender Telecaster
Guitar

Fender Telecaster

This workhorse guitar provided Gilmour with a brighter, more cutting tone for rhythm work and alternative textures, offering the snap and clarity needed for Pink Floyd's diverse sonic palette across studio and live performances.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Gilmour's 1955 Les Paul Goldtop, fitted with original P-90 pickups, delivers the thick, gritty midrange essential for iconic solos like Comfortably Numb's outro, providing tonal weight and sustain that Strats cannot match.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

Though less documented than the Goldtop, this model would offer similar thick, sustained tones with enhanced versatility through multiple pickup switching, supporting Gilmour's need for varied textures within complex Pink Floyd arrangements.

Fender Twin Reverb
Amp

Fender Twin Reverb

Gilmour used Twin Reverbs for their exceptional clean headroom and built-in reverb, creating spacious, shimmering textures that complement his delay-heavy effects chain and define Pink Floyd's atmospheric, three-dimensional soundscapes.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

The Cry Baby opens Gilmour's effects chain, allowing expressive vocal-like phrasing on solos, integral to Pink Floyd's emotional delivery and creating dynamic dynamic tonal sweeps that enhance the band's psychedelic and progressive character.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)