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Van Halen - Jump - Keyboard Solo on Guitar - Guitar Lesson

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Van Halen - Jump - Keyboard Solo on Guitar - Guitar Lesson

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Van Halen - Jump - Keyboard Solo on Guitar guitar lesson video
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Van Halen Hard Rock C major
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Jump - Keyboard Solo on Guitar

"Jump" by Van Halen was released in December 1983 as the lead single from their sixth studio album, 1984, and became the band's most successful single, reaching number one on the US Billboard Hot 100. Unlike most Van Halen tracks, the song is driven by a keyboard riff rather than guitar, making the keyboard solo an interesting and rewarding challenge to transpose to electric guitar. Learning this iconic melody on guitar offers a fresh perspective on one of rock's most recognizable songs.

  • "Jump" reached number 1 on the US Billboard Hot 100, making it Van Halen's most commercially successful single.
  • The song is unusually keyboard-driven for Van Halen, though it still features a classic Eddie Van Halen guitar solo.
  • Rolling Stone ranked "Jump" at number 177 on its 2021 updated list of the 500 Greatest Songs of All Time.
Gibson ES-335
Guitar

Gibson ES-335

Eddie Van Halen pulled a Gibson PAF humbucker from a ES-335 to load his original Frankenstrat, giving him a low-output pickup that maintained clarity during lightning-fast tapping and legato runs despite heavy gain.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

Eddie's 1968 Marshall Plexi Super Lead, run through a variac at 90 volts, created his legendary 'brown sound' by pushing power tubes into sweet, spongy saturation at gig volumes, defining his harmonic sustain and responsiveness.

Soldano SLO-100
Amp

Soldano SLO-100

Eddie adopted the Soldano SLO-100 as a tonal alternative to Marshalls, delivering the high-headroom, articulate gain he needed for his finger-tapping technique while maintaining clarity in complex legato passages.

Peavey 5150
Amp

Peavey 5150

Eddie co-designed the Peavey 5150 to capture his signature tone in a modern platform, offering three channels from clean sparkle to crushing high-gain with EL34 power tubes for dynamic responsiveness across his entire playing vocabulary.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Eddie employed the Dunlop Cry Baby wah strategically on select solos, using it to add vocal-like expression and sweep to his lead lines without relying heavily on effect-driven tones.

MXR Phase 90
Pedal

MXR Phase 90

Eddie's MXR Phase 90 script-logo version created his signature swirling, vocal sweep on 'Eruption' and 'Ain't Talkin' 'Bout Love,' becoming one of rock's most identifiable effect tones through minimal, tasteful use.

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