Practice Studio

Rush - Freewill - Guitar Lesson

Sections · Loop · Speed · Metronome

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Speed Control

Speed
100%

Tools

BPM
Key E minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Permanent Waves album cover
Permanent Waves
1980 5:22
Capo Advisor 0 E minor · Original key

About Freewill


Few songs in the Progressive Rock catalog demand as much simultaneous precision from a guitarist as "Freewill." Alex Lifeson's work here sits in E minor at a steady 120 BPM, but the challenge is not the tempo: it is the dense, layered chord voicings he favors throughout, mixing open-string ringing notes against fretted shapes in ways that feel awkward until they suddenly click. The intro and verse riffs use a lot of suspended and add9 voicings, so spend time making sure each string rings cleanly rather than rushing to the next shape. The rhythmic interplay with Neil Peart's drumming means your picking hand needs to lock in tightly, and any flamming between your pick attack and the beat will stick out immediately. Use the Practice Toolbar to loop the trickier chord transitions slowed down, because the muscle memory for those stretches really does need to be built gradually. Rush rehearsed arrangements like this relentlessly, and that kind of patient repetition is exactly what this song rewards.

  • Alex Lifeson's chord voicings throughout the song make heavy use of suspended and add9 shapes, requiring clean finger placement to let open strings ring properly.
  • The 120 BPM feel demands tight rhythmic accuracy from the picking hand, as the guitar locks closely with the bass and drums across irregular phrase lengths.
  • Playing in E Standard tuning in E minor gives the open low E string an important role in anchoring several of the song's main riff figures.

How to Play Freewill

Tuning: E Standard · Key: E minor · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Lifeson used the Stratocaster during the 'Moving Pictures' era for cleaner, thinner tones that contrasted with his Les Paul warmth, allowing him to access brighter textures within complex Rush arrangements.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

The Les Paul's PAF-style humbuckers and thick sustain were Lifeson's primary tool through the '70s and early '80s, delivering the warm, fat tone essential for Rush's heavy riffs and soaring lead lines.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

This premium Les Paul variant provided Lifeson with enhanced sustain and tonal depth during classic-era Rush, reinforcing the thick humbucker character that defined tracks on 'Hemispheres' and '2112'.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

The Marshall 100-watt Super Lead cranked to breakup was Lifeson's workhorse amp in the '70s, delivering the crunchy overdrive and punchy aggression that cuts through Rush's dense instrumentation.

Orange Rockerverb
Amp

Orange Rockerverb

Used in later tours, the Orange Rockerverb's warm tube tones and built-in spring reverb gave Lifeson a more refined, spacious sound while maintaining the punch needed to compete with Geddy's keyboards.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Lifeson deployed the Cry Baby wah for expressive solo passages throughout Rush's catalog, adding dynamic vocal-like qualities to his lead work that enhanced emotional impact within progressive arrangements.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)