Practice Studio

Deftones - Be Quiet and Drive - Guitar Lesson

Sections · Loop · Speed · Metronome

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Speed Control

Speed
100%

Tools

BPM
Key D minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Around the Fur album cover
Around the Fur
1997 5:00
Capo Advisor 0 D minor · Original key

About Be Quiet and Drive


Drop D tuning is central to how "Be Quiet and Drive (Far Away)" works on guitar, giving the low D string a heavy, resonant quality that drives the song's mood. The track sits in D minor at 120 BPM, and much of the playing leans on open and power chord shapes made easy by the Drop D configuration, so if you are new to that tuning this is a rewarding song to start with. The contrast between the clean, spacious verses and the heavier, distorted sections is the real challenge: getting that dynamic shift to feel natural takes careful attention to pick attack and gain staging. Deftones build tension by letting the guitar breathe in the quiet passages, and rushing those moments kills the effect entirely. Use the Practice Toolbar to loop the transition from clean to distorted slowed down until the shift feels controlled. The open-D resonance in the heavier riff is the signature sound, so spend time getting that ring clear before pushing the tempo back up.

  • Drop D tuning lets you barre a single finger across the bottom three strings for a full power chord, which is used throughout the heavier riff sections.
  • The biggest technique challenge is controlling dynamics: the verse requires a restrained, clean touch while the chorus demands a thick, distorted tone.
  • Practicing the clean-to-distorted transition slowly with looping is the most effective way to nail the song's signature mood shift.

How to Play Be Quiet and Drive

Tuning: Drop D · Key: D minor · Tempo: 120 BPM

The drop D tuning lets you fret the low power chords with a single finger, which is central to the heavier riffing here.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

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Gibson Les Paul Custom

The 'Black Beauty' - Gibson's premium Les Paul with bound neck, multi-ply binding and upgraded hardware. Its ebony fingerboard and heavier construction give it a darker, more refined tone compared to the Standard.

Gibson SG Standard
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Gibson SG Standard

Lighter and more aggressive than the Les Paul, the SG's slim mahogany body and twin humbuckers produce a raw, snarling midrange. Angus Young's weapon of choice - perfect for high-energy rock and hard-driving riffs.

Gibson Explorer
Guitar

Gibson Explorer

A bold angular body shape with serious tonal punch. The Explorer's mahogany construction and humbuckers produce a thick, powerful sound favored by James Hetfield, Jimi Hendrix in his early days, and many metal players.

Mesa/Boogie Dual Rectifier
Amp

Mesa/Boogie Dual Rectifier

The benchmark for modern high-gain tone. The Dual Rectifier's massive low-end, compressed saturation and scooped midrange defined the sound of 1990s and 2000s alternative and heavy metal. Tool, System of a Down and countless others.

Ibanez Tube Screamer TS9
Pedal

Ibanez Tube Screamer TS9

The most clone pedal in history. The Tube Screamer's mid-hump overdrive character pushes a tube amp into a creamy, singing lead tone while cutting bass frequencies for clarity. Stevie Ray Vaughan stacked two of them.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)