Bad Company - Feel Like Makin' Love - Guitar Lesson

Fender Stratocaster

Mick Ralphs used the Stratocaster selectively for cleaner, more articulate passages that contrasted with his Les Paul's warm sustain. Its bright, single-coil voice provided tonal variety without abandoning Bad Company's signature full-bodied character.

Gibson Les Paul Standard

Ralphs' primary instrument, the late-1950s and early-1970s Les Paul Standard delivered the thick mahogany warmth and sustained midrange that defines Bad Company's signature tone. Its PAF humbuckers pushed Marshall power tubes into natural overdrive, creating that harmonically rich breakup.

Gibson Les Paul Custom

The 'Black Beauty' Les Paul Custom was Ralphs' go-to during Bad Company's peak years, offering the same warm sustain as the Standard with added aesthetic presence. Its stock PAF humbuckers provided perfect output balance for dynamic playing and controlled volume-knob rollbacks.

Marshall Plexi (1959 Super Lead)

Ralphs cranked Marshall JMP 100-watt Super Lead heads to push power tubes into warm, natural saturation without external gain pedals. The amp's punchy midrange paired with his Les Paul's thick low-end created Bad Company's full yet articulate tone.

Dunlop Cry Baby Wah

Ralphs rarely relied on effects, but occasionally deployed the Dunlop Cry Baby wah for specific lead passages in studio tracks. Its dynamic responsiveness complemented his minimalist approach, adding expression without altering his core tone.