Practice Studio

Joe Satriani - Always With You Pt.5 (5th & 6th B Major Sections) - Guitar Lesson

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Key B major
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Classic Rock

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Mid7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Surfing with the Alien album cover
Surfing with the Alien
1987 3:22
Capo Advisor 0 B major · Original key

About Always With You Pt.5 (5th & 6th B Major Sections)


The 5th and 6th B Major sections of "Always With Me, Always With You" sit deep in one of Joe Satriani's most beloved ballads, and they demand a level of melodic phrasing control that separates casual players from committed ones. The whole piece is tuned down to B Standard, which gives the guitar a heavier, darker resonance than standard E tuning, so your picking attack needs to stay clean and deliberate to avoid muddiness. These sections lean hard on legato and smooth position shifts across the neck in B major, meaning your fretting hand has to stay relaxed even as the phrases stretch wide. The tempo is unhurried, but that slowness is deceptive: every note is exposed, and any hesitation in a bend or vibrato is immediately obvious. Use the Practice Toolbar to loop each section slowed down so you can lock in the phrasing before bringing it back up to speed. This is Instrumental Rock at its most lyrical, where tone and feel matter as much as technique.

  • The piece is played in B Standard tuning, dropping all strings down by a major third from standard E, which adds warmth and sustain to the melodic lines.
  • These sections centre on smooth legato phrasing in B major, requiring careful attention to vibrato and bend accuracy since the slow tempo leaves every note exposed.
  • Practise each positional shift in isolation using the Practice Toolbar before connecting the full phrase, as the wide melodic leaps are where timing most easily falls apart.

How to Play Always With You Pt.5 (5th & 6th B Major Sections)

Tuning: B Standard · Key: B major

B standard is a very low tuning, so the riffs depend on tight muting to stay clean under the heavy low end.

Use the section loop to isolate a passage and drop the speed to build each section up to tempo.

Marshall JCM800
Amp

Marshall JCM800

Satriani's early foundation amp, the JCM800 delivered the aggressive crunch and natural tube breakup essential to his 1980s instrumental rock sound on classics like 'Surfing with the Alien.' Its responsive gain structure shaped his initial lead tone before transitioning to higher-wattage rigs.

Soldano SLO-100
Amp

Soldano SLO-100

The SLO-100's tight, articulate distortion and supreme headroom allowed Satriani to achieve singing lead tones with exceptional clarity and note definition during his early touring years. This amp's transparency made every nuance of his phrasing and vibrato audible at stadium volumes.

Boss DS-1 Distortion
Pedal

Boss DS-1 Distortion

Satriani's modded DS-1 stacks with his amp's natural saturation to add aggressive midrange punch and sustain for fluid lead passages and shredding sections. The pedal's simplicity lets him focus on dynamics and technique rather than dialing in tone.

DigiTech Whammy
Pedal

DigiTech Whammy

The Whammy enables Satriani's signature harmonic effects and pitch-shifted lead lines, creating otherworldly textures that complement his ambient, melodic approach to instrumental composition. It's essential for his arsenal of experimental soloing techniques.

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