Queen - '39 - Guitar Lesson

Practice Studio

Queen - '39 - Guitar Lesson

Sections · Loop · Speed · Metronome

Not in tune?

Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Key D major
PLAY WITH BACKING TRACK
·
–50¢ 0 +50¢
· Tap to start

Your browser will ask for microphone permission.

Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

A Night At The Opera (Deluxe Remastered Version) album cover
A Night At The Opera (Deluxe Remastered Version)
1975 3:31
Queen Folk Rock 1975 D major
Capo Advisor 0 D major · Original key

'39


'39 is a song by Queen, composed by lead guitarist Brian May and featured as the fifth track on their fourth studio album A Night at the Opera. The track blends acoustic and electric guitar work in a folk-rock style, showcasing May's melodic sensibility and fingerpicking technique. For electric guitar players, it offers a rewarding study in clean tones, tasteful lead lines, and the distinctive layered guitar arrangements that define May's approach.

  • '39 was composed by Brian May, who also handles lead vocals on the track, a rare instance where he steps into the front role.
  • The song appeared as the B-side to Queen's single 'You're My Best Friend', giving it additional exposure beyond the album.
  • Running just over three and a half minutes, the track demonstrates how Brian May builds texture using multiple guitar layers rather than heavy distortion.
Vox AC30
Amp

Vox AC30

Brian May stacks Vox AC30s cranked to full volume, letting natural tube breakup and the Top Boost channel create the chimey, harmonically rich overdrive that defines Queen's sound. Driven hard by a treble booster rather than pedal distortion, these amps deliver the compressed, singing tone central to May's signature style.

Boss DD-3 Digital Delay
Pedal

Boss DD-3 Digital Delay

May uses digital delay as a live equivalent to the tape echo (Echoplex) he favored in the studio, adding subtle spatial depth to his solos without cluttering his famously minimal effects chain. The DD-3 provides clean, repeating echoes that complement his vocal-like tone without compromising the directness of his treble booster-driven AC30 sound.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)