Practice Studio

Queen - '39 - Guitar Lesson

Sections · Loop · Speed · Metronome

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Select a Loop

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Speed Control

Speed
100%

Tools

BPM
Key D major
PLAY WITH BACKING TRACK
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

A Night At The Opera (Deluxe Remastered Version) album cover
A Night At The Opera (Deluxe Remastered Version)
1975 3:31
Queen Folk Rock 1975 D major
Capo Advisor 0 D major · Original key

About '39


Brian May wrote "'39" as a gentle acoustic folk number, and it sits in an unusual spot in Queen's catalog. Played in D major, the song leans on fingerpicked or strummed acoustic guitar with a light, almost country feel rather than the heavy riffs the band is better known for. The challenge here is keeping the rhythm clean and even throughout, since the sparse arrangement leaves nowhere to hide any sloppiness. May's chord voicings are relatively approachable for intermediate players, but nailing the subtle syncopation in the strumming pattern is what actually takes practice. If the groove keeps slipping away from you, use the Practice Toolbar to loop the verse slowed down until the rhythm feels natural at a reduced tempo, then build back up. Pay attention to the fingering transitions between chords, as smooth voice leading is what gives this track its warm, flowing feel.

  • '39 is built around acoustic guitar, making fingerpicking or a light strumming technique far more important here than any electric lead work.
  • The song is in D major, which keeps the chord shapes open and resonant on an acoustic, but clean transitions between those chords are essential.
  • Because the arrangement is sparse, even small timing inconsistencies in your strumming pattern are clearly audible, so slow practice is strongly recommended.

How to Play '39

Key: D major · Tempo: 94 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 94 BPM to build it up to tempo.

Vox AC30
Amp

Vox AC30

Brian May stacks Vox AC30s cranked to full volume, letting natural tube breakup and the Top Boost channel create the chimey, harmonically rich overdrive that defines Queen's sound. Driven hard by a treble booster rather than pedal distortion, these amps deliver the compressed, singing tone central to May's signature style.

Boss DD-3 Digital Delay
Pedal

Boss DD-3 Digital Delay

May uses digital delay as a live equivalent to the tape echo (Echoplex) he favored in the studio, adding subtle spatial depth to his solos without cluttering his famously minimal effects chain. The DD-3 provides clean, repeating echoes that complement his vocal-like tone without compromising the directness of his treble booster-driven AC30 sound.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)